Comparing Journeys in Thos Pynchon's The Crying of Lot 49

There is a journey with two texts in the 49th crying of Volume 49 "Parallel". His wonderful use of details and text blur the boundary between the two. The main factor of this trip is chaos, which is called "entropy of more scientific name". Oedipa and readers get lost in a chaotic system and interpret the work of clues in a complex system. Readers have no choice but to be part of this system through wise use of tactics.

The scream of Volume 49 is a novel by Thomas Pinchin, first published in 1966. The shortest Pinchin novel is about Oedipa Maas, a woman who may have discovered a collision between two postal distributors, Thurn und Taxis and Thurn und Taxis. Tristero (or tristro). The former exists and is the first company to send mail; the latter is Pinchin's invention. Novels are often classified as outstanding examples of postmodern fiction. "TIME 100 Best English Novel from 1923 to 2005" includes novels

Thomas Pinchin's "No. 49 Scream" is a very deep, complex and demanding novel and requires extensive knowledge. One of the most attractive aspects of this novel is picking pinch, or rather inventive. It is the name of the character and organization that he describes in the novel. These names serve as a metaphor for people and the things they represent, so we can understand the hidden meaning of the novel. The main character of No. 49 "Cry" is a woman named Oedipa Maas. Obviously, the name of Oedipa comes from Sophocles' famous hero Oedipus. According to legend, the parents of Edps had found him destined to kill his father and marry his mother. Therefore, they arranged for the child to die. But he was rescued and became an adult of another kingdom. As an adult, Oedipus met a stranger and did not know that he was actually his father.

Thomas Pinchon's "No 49 Crying", a brilliant gem of metaphors and metaphors, extracted from thermodynamics, mathematics and information theory, is an example of an increasingly prominent imaginative literary genre. Problems in which novels are clearly composed as semiotics or meanings are more like puzzles than stories. Therefore, it is questionable as to whether it marks a point in the development of the novel, just like the era when the camera was perfect, when the painter gave up most of the representative art of the "abstract" art of mind . CL 49 contains a similar deviation from the original proposal from Oedipa Maas, whose hero's name