Comparing Excess in Morrison’s Sula and Ginsberg’s Howl

In Morrison's Sla and Ginsberg screaming application of William Black's "Marriage of Heaven and Hell" he said "Excessive road brings the palace of wisdom ... people who suppress desires" These beliefs are Tony Morrison's It was reconfirmed and expanded in the epic "Howling" of Novel Sura and Allen Ginsberg. The two authors challenge the concept of the boundary socially imposed by respecting the excess of mankind. It is a concept of suppressing absolute freedom of thought and action.

In Sula Toni Morrison's book, Sula, by Toni Morrison, Morrison has an ambiguous relationship between good, evil and guilt. In comparison between good and evil, Sula said, "Being kind to someone is similar to making someone make sense, dangerous, I can not get anything" (145). Good and evil are compared as if they are equivalent This is the structure of this book. - The unhealthy relationship between Sula and Nel Creatures varies with each other's health status. But sometimes these creatures become greedy and decide to accept this relationship rather than sharing with their co-existence partners. Through this action, it has parasitic properties. In Toni Morrison's work, Sula, Sula Peace, and Nel Wright show how symbiotic relations are getting worse.

In Morrison's Sla and Ginsberg screaming application of William Black's "Marriage of Heaven and Hell" he said "Excessive road brings the palace of wisdom ... people who suppress desires" These beliefs are Tony Morrison's It was reconfirmed and expanded in the epic "Howling" of Novel Sura and Allen Ginsberg. The two authors challenged the concept of boundaries imposed by society, thereby suppressing the absolute freedom of thought, but the language, image, theme, character, and all of Sula of Toli Morrison are my I touched my heart. I am hoping that these people will win and know the beauty of their lives and know that they are not small. I hope that the angry and loud crying is not over at the bottom or upper "circle and sad circle" (Sula 174). Morrison accepted the political aspect of her work without apologizing and freely admitted that she wanted to express the reaction of the reader. She said "The best art is political, you insist that you should do this.