Introduction It is easy to regard Frankenstein creatures as all terrible fears. Looking at the horror novel, you can easily assess the long-term impact of Sherry Giant. Halloween costumes and shades, three movies, countless derivatives ... take away the distillation of mainstream culture, but it must be said that Sherry's idea is more important than creating a nightmare. In this book, as drawn in the 1931 movie, monsters are never awkward and random.
In Mary Shelly's Frankenstein, Victor Frankenstein and his work are symbolically comparable to the characteristics of Adam and Satan, the god of John Milton's epic "Paradise Lost". In Frankenstein, JVC is the person who wants to be the first person to live. JVC succeeded in his creation, but he was a self - adulter who discovered the truth of morality himself and gained more knowledge as it was in the paradise where God was lost. Victor's work, the monster symbolizes both Adam and Satan in Milton's epic. Monsters created by Victor are not created to intentionally hurt others, but are created with human images. But this monster eventually was overwhelmed by his emotions and he was forced to commit violent acts. The monster of Victor is also a symbol of Satan. Initially, Satan was created by God, righteous and faithful to serve, but Satan also lost God's grace.
In Mary Shirley 's novel, Victor Frankenstein has some unique features that make him comparable to the image of the God of Milton paradise. The main relationship between Victor and God is that both beings want to make 'first' people. Like JVC is a crowd of his people and monsters, God is Adam, and later the creator of Eve. These two roles also rejected the results of their "experiments". God kicked Adam out of the garden of Eden and ate the fruit that was forbidden from the knowledge tree without obeying him. Because of the terrible appearance of this creature, Frankenstein rejected his creation. Victor said: "Nobody can support the horror of that face" (Shelley 57). Victor did not give his creature the opportunity of "normal" living. Instead, from fear he decided that he did not want to be irrelevant. God refused Adam and Eve. They violated one of his rules and did not eat 'knowledge tree'.
From the creative look of Frankenstein, you can see the complicated relationship between Mary Sherry 's Frankenstein and John Milton' s lost paradise. Mary Sherry's novel Frankenstein is responsive to this poem. In Frankenstein, she used the hint of Paradise Lost to help her illuminate much of the central idea of work. Victor's creature was born innocently and is about to fit the world he invested in. However, he always refused to separate himself from creatures he wanted to talk to and transformed himself into a self-identifying Satan from Paradise Lost. The Frankenstein creatures connected the two stories together and the conditions that led him to change associated him with Adam and Satan.