Commedia dell'arte

Commedia dell'arte Commedia dell'arte is a really popular form among dramas - people, people, people. Please describe this statement with concrete examples of Commedia dell'arte scenario, stock role, performance characteristics, and situation. Commedia dell'arte is definitely a work of art centered on people and the world. Its origin is ambiguous due to its first performer and spectator's illiteracy but it is believed to originate from Italian carnival in the 16th century.

The term "Commedia dell'arte" is currently used in the mid 18th century. Although Commedia dell'arte was at the top of Italy in a stylistic era, its origin may originate from the Greek theater that begins during the Roman Empire and shares features with later Commedia dell'arte and the Etruria Festival . Age of the Middle Ages. This improvisation performance was inherited in Italy until the 17th century, probably reviving as a professional drama technique. Paul C. Castagno's early Commedia dell'Arte (1550-1621): a stylistic context saw an aesthetic and cultural connection to art and art in the whole art. Castagno also believes that this exaggeration, distortion, aestheticism of anti-humanity (such as mask type), excessive borrowing and originality are typical features of all the arts afterwards.

Strangely, co-media dell'arte is popular in France and continues to be popular in the 17th century (until 1697), in France, commedia has developed its established track. Coimedia has various composition in various parts of Europe, each country changed its shape to their own preference. For example, a pantomime thriving in the 18th century was born from the type of character of the manga, especially Harlequin. Punch and Judy Na played in England up to today, based on the Naples version of the Pulcinella mask. In Italy, the masks and intrigues of Com Media entered the opera house as well as Rossini, Verdi and Puccini.

Ellison created his hero with an established tradition. Italian co-media dell'arte, a form of prosperous drama in Europe from the late Middle Ages to the 18th century. In commedia dell'arte, the actor wears a mask to identify the stock character he is playing, and these plots are very stylized traditional. Harlequin is usually the main stock role of witty, fickle and embarrassing, comedia dell'arte. Harlequin was wearing a colorful diamond-shaped costume that fits perfectly with a synergistic effect with other characters. Everyone watching the production will immediately recognize the clown mask; in fact, in co-media dell'arte, the mask is more important than the player.