Comedy and Tragedy

Comedy is based on Aristotle (he guesses about it in poetry) Ancient comedy began with comos, a curious, incredible scene. And playful. (By the way, if this theory is correct, it gives a new meaning to the phrase "vertical routine.") Binding the origin of a comedy to a penis ritual or pleasure node, whether accurate or not, From the likely Aristophanes to Seinfeld, in most of its history comedies contain a great celebration of victory for human sexuality and eroticism, so that is all reasonable.

Comedy, tragedy and religion have been intertwined since ancient Greece, and comedies and tragedies have emerged like religious ceremonies. This revolutionary book analyzes the worldview of tragedy and comedy and compares it with the major religions in the world. Morreall contrasts tragedies and manga with 20 psychological and social aspects and uses them to analyze the traditions of the East and the West. There is no religion embodying a purely tragic or comic life view, but most are tragic and most are comic. In the eastern religion, Morre did not find a strong tragic outlook, but in Taoism and Zen in particular he found the characteristics of an important cartoon. In the Western monotheistic tradition, the early Bible had some cartoon features, but a tragic vision dominated through the late Hebrew Bible. For the past two thousand years, they have taken no measures to reverse Judaism's tragic concept.

Comedy as an acceptance - even in pain - has a possibility of humor, while tragedy is intolerance to pain and misfortune with little or no potential humor. Given the specific senses of these comedies and tragedies, we may ask questions, Oden's "Muséedes Beaux Arts" is a comic or a tragedy? Or better, is this a poem about accepting (comedy) or accusing (tragedy) the harsh privacy? This poem has two parts or sections, each ending with a period, the first word after the tree.