Comedy and Tragedy in The Cherry Orchard

The comedy and tragedy of Cherry Orchard's "Cherry Garden" by Anton Cherkov can catch a glimpse of the life of middle class Russians at the turn of the century. Sometimes the drama seems to regret past mistakes, but in other cases it is also very comicy. The end result tends to classify it as a tragedy, not a lack of easy moments. It enhances a lot of emotions among readers: happiness, regret, compassion and anger appear in the interaction of several characters with rich and complex personality.

Chekhov combines two elements of dramatic comedy and tragedy at the cherry blossoms, but he uses these elements to emphasize each other. Some critics argue that the cherry garden is a comedy in the strictest sense, and even because it can not be regarded as a tragedy, because it is a success as a drama. Realism and Emotional Impact These characters do not disappear without losing sense of humor and the presence of negative emotions and positive emotions makes that character and its context more acceptable to the audience. He can simplify the art of drama to the ancient root and from there you can achieve new growth, "Chekhov is very careful in making scripts.

The comedy and tragedy of Cherry Orchard's "Cherry Garden" by Anton Cherkov can catch a glimpse of the life of middle class Russians at the turn of the century. Sometimes the drama seems to regret past mistakes, but in other cases it is also very comicy. The end result tends to classify it as a tragedy, not a lack of easy moments. It enhances a lot of emotions among readers: happiness, regret, compassion and anger appear in the interaction of several characters with rich and complex personality.

Anton Chekhov wrote his last drama, Cherry Orchard, as a comedy about a wealthy family that loves to lose their beloved house and orchard. Farmers were born in their mansions. A comedy is one of two dramas (the other is a tragedy), one for entertainment and usually ends in happiness. Chekhov calls the cherry garden a ranch, a wide range of humor, an eccentric event, a comedy featuring vulgar themes. But when Constantin Stanislav decided to play in the Moscow Art Theater in 1904, he said in a letter to Chekhov, like the stage of "Stage of Drama: Classical to Contemporary Drama". "This is not a comedy, it is not a fool, you write, whether or not you pointed out the way to a better world in the last scene, it is a tragedy ... When I read it for the second time ... I cry like a woman, I try to control myself, but I can not.