Comedy and Tragedy: Karl Guthke

In the background, the characteristics of comedy and tragedy leads to a new form of drama - tragedy. Do not confuse with black comedy or dark humor A tragedy comedy is not a "tragic imitation" (Roche) Tragicomedy says "It is an ambiguous work that combines the moments of tragedy and comedy with each other." (Roche) According to other sources, the tragedy believes that it is a loose combination of the tragedy and follow-up moment of the follow-up comedy, but still a tragedy is a literary element of elements of tragedy and comedy and human emotions And by way of absorbing behavior. complexity

Marianakar's humor in 1996, Possia Coughlan, highlights the tragic story of tragedy and tragedy. If the depth of the tragedy is too serious, human humor depends on "comedy and tragedy". In the most extreme case, he can experience this for human beings. "(Guthke.166.) At Portia Coughlan, I met Portia and she celebrated her own 30th birthday alone, I am very dissatisfied with her choice of choice, she is amazing, amazing , Amazing, amazing, amazing, amazing, amazing, amazing, amazing, amazing, amazing, great, amazing

Comedy, tragedy and religion have been intertwined since ancient Greece, and comedies and tragedies have emerged like religious ceremonies. This revolutionary book analyzes the worldview of tragedy and comedy and compares it with the major religions in the world. Moleor contrasts tragedies and manga with 20 psychological and social aspects and uses them to analyze the traditions of the East and the West. There is no religion embodying a purely tragic or comic life view, but most are tragic and most are comic. In the eastern religion, Morre did not find a strong tragic outlook, but in Taoism and Zen in particular he found the characteristics of an important cartoon. In the Western monotheistic tradition, the early Bible had some cartoon features, but a tragic vision dominated through the late Hebrew Bible. For the past two thousand years, they have taken no measures to reverse Judaism's tragic concept.

The difference in life may be a tragic or cartoon issue; Thomas Man follows Socrates' request at the seminar that the same poet should write tragedies and comedy. Of course, the combination of tragedy and manga is to make them relative. This was first developed by Karl Marx as a historical concept. However, as Thomas Man dealt with the tragedy of his own era and the collision of comedy (even if his direct theme was Joseph's legend), this historical relativity theory is based on current typology It transformed it. Stress is a change from tragedy to manga, and vice versa, and those not historically adjacent are ethically morally responsive to contemporary problems.