Comedic Violence in The Medea, The Oresteia, and Antigone

The violent conflict between the media, Olestea and Antigone has rarely used Greek tragedies to escape violence. The classic works of Medea, Orestia, Antigone, and other ancient Greek Tragoidia contain many violent content in many famous places. In particular Medea is noteworthy in this regard; her unwieldy life can be drawn exactly along the way of attack and enthusiasm, and her bloody history brought tension and dominance to Medea's strong catharsis I will.

In the original scene of Medea, Electra, Oresteia, the audience may be sympathetic to the damage and anger that Medea, Electra, Clytemnestra feels, but if the original is not reworked or techniques are used to weaken the effect It is difficult to maintain the end of the script. Sympathy for the character of the audience. We tend to fear their behavior. The original version of Greek drama showed an unusual respect for the power to rebel and destroy women's power relationship. Like Medea said,

Medea and Antigone are stories that two women are fighting for what they want. I think that it is correct. These stories occurred when they occurred in ancient Greece. Medea and Antigone are powerful and occasionally manipulative characters, but their moral settings are different to control their behavior. Medea usually asks what she wants; Antigone will do what she needs to get what she wants. For Antigon she violated the law of the king and supported the rules of her spiritual beliefs. In the middle of the night, she lived in the house and sneaked into a piece of land to fill the dead brothers. Medea killed a lot of people, including her own son and princess, just to annoy her illegal and deceived husband. These two women, like the crocodile, do not move at the right time when striking. In the case of Medea, a quick and intense strike. And for the Antigone, a cool collection of exact

Sophocles' Antigone took action after her uncle, Klien refused to burial her brother, Polinis. In Aeschylus' Oststeia, her husband Agamemnon was fighting in Troy for 10 years, so Clytemnestra held power at Argos. After that the motive behind the murder of Crime Nestra was a series of male abuses. When her husband, Jason, planned a new and more advantageous marriage, Medea became an attacker. Depending on the configuration, the whole script has a theme. Classical Athenian tragedy, held at the open air theater, was placed outside the private domain of the family. Indeed, Euripides is famous for being "street, going to bedroom, and falling into a tragedy", so its remoteness is diminishing.