Past memories: From an avant-garde naturalist to climber Buddhists (Solo and Kerouac), an old proverb says, "Never let the truth disturb good stories". But where is the border between decoration and production? The privilege of art is like sounding, verbs, adjectives, adverbs, manipulating and forcing other parts of speech, and manipulating freedom of writing structure. As with any privilege, in this case too, it is the responsibility to not change the original intention of the story or the context in which the story occurs.
Henry David Thoreau, Jack Kerouac, Mary Oliver is one of countless writers I can think of. The most famous piece of Thoreau is written in a secluded cabin closed in Kerouac in North Africa, or in his New York apartment. I will adventure to infer those resistance memories that are uncomfortable to find through the noisy sound of your own thoughts. Maybe you will find internal ADHD, it may be a comfortable reflection or reason in the fast and highly stimulating environment of our pace.
In the conversation between Jack Kerouac and his friend William S. Burroughs, Kerouac discussed the influence of his French Canadian identity on his writings. The majority of the literary criticisms on Kerouac's "streets" are based on the assumption that he is a typical American American. But this has a problem. Kellowack and his parents were part of the French-speaking Diaspora community that moved out of Quebec between 1880 and 1930. Keroroac is strongly aware of his double identity, including the Quebec and Americans. From the Diaspora community, the process of expressing this dual identity on the road and the process of finding relationships with countries that are not completely my own are summarized in "on the road" text.
Regarding Kairuyak, the myth of the author hides the reality of Kairuyak. In Ronna Johnson's "Let's Play": Post-Kerouac's appearance as a pioneering figure of Jack Keroroac and literary progress after the war "Sink of Keroouak" is a person before modernization, this work Shows a recent pattern and transformation of a very modern ideology with a neonatal postmodernism (Johnson 22-23). She acknowledges the influence of Kerouac and points out that. And composing technique - integration of African American culture and music style with normative European literature - shows his important position. (Johnson 23) Johnson reflects the text of Kerouac from a historical perspective and pointed out the second world The influence of the war on American society and fierce generation writers, in particular Kerak Kerorock, is a modernistic emperor even after modern It is not an innovator, it is extreme and transient (Johnson 24)