In this article we compare colonialism as a manifestation of positive or negative power. The text used is my central text "Dark Heart of Joseph Conrad" and "Collected Poetry" of Rudyard Kipling. The other's sentences are R. K. Narayan's "Swami and friends". Joseph Conrad's "Heart of Darkness" was written at the turn of the century of 1902. It is a novel published in the third part of Blackwood magazine. It is regarded as an important work of British literature and is part of the Western artillery.
The masterpiece fully embodies the purpose for the writer to establish the early British northern colonies to inspire the chronology of ethnographic magazines. These texts have different cultures and distant times, but these three texts are bound by common chains of chronicle tradition. Each of them has the purpose of damaging the ideal of an objective historical story Their theoretical basis is "philosophers may say an ideology". They are the history of Collingwood's "dark place" known as "political and religious propaganda service" (77). Their story has used countless literary works including figurative languages, but it definitely caused Voltaire to ruin their historical integrity. Their literary style makes it possible to fully enjoy fun texts that convey all aspects of each era and can not realize any story that ends objectively.
Post colonial theorists enter these texts through specific critical shots or specific reading texts. An important point of view, post colonial theory or post colonialism, requires readers to analyze and explain colonization and imperialism, or to expand power to other countries to influence people and the state. As mentioned earlier, post colonialism requires readers to enter text through post colonial shots. This table will help you understand how to handle reading texts after the colony. As a reader, I will look for influences of colonialism and ways to solve them through plot, scene, character actions.