Classical vs. Romantic Ballet

The romantic ballet era began in the early 19th century. There, romanticism in art and literature influenced the creation of the ballet. Romantic ballet is tilted forward, with soft movement, rounded arms and upper body. Giselle and La Cirfido are examples of romantic ballet. Because of work, women dominated the era of romanticism, men played a role in supporting ballerinas. The romantic era is a supernatural and exotic era like fantasy, ether.

Romantic ballet relies heavily on creating a mysterious and dreamy atmosphere to complement its supernatural theme. In order to capture the essence of ghost's role, we need new style clothes.

This dress is in the shape of a bell-shaped skirt with white muslin and gauze, is between the knees and the ankle, and the tight body represents the neck and shoulder.

Classical ballet is the oldest and most formal ballet style. This is a style that uses Russian, Italian and most important French techniques. In this era, the vote rate of the foot is highlighted. A new era of dance began with the prestigious Russian ballet dancer Marius Petipa. Classical ballet is a traditional formal ballet style composed of glossy aesthetic sports qualities. It is known for its strict technology such as toe's work, leg squat, high stretch, flow and precise movement

Silk, satin and fabric embroidered with genuine gold and precious stones since the 17th century raised the level of decorative decoration related to ballet clothes. Coat costumes are still standard clothing for female performers and male dancer costumes have evolved into symbolic decorations and unified decorations to express characters and occupations.

Like the classical era, Romanitc Ballet is a dynamic and dramatic combination of stories. They have different styles, but they all have the basic position of the feet and are dancing. Integration of male classical ballet and romantic ballet to support female dancers

The romantic ballet is a classical ballet art movement, and there are still some works in the classic repertoire. The romantic era is characterized by the appearance of poant work, the dominant position of female dancers, and longer and flowing tutu trying to embody a soft and delicate aura. This movement occurred in the mid-nineteenth century (romantic era), with the theme of emphasizing emotions as a source of aesthetic experience. Many romantic ballet plots develop around spiritual women (s, Willis and ghosts) enslaving human mind and sensation. The ballet La Sylphide of 1827 was widely recognized as the first work, and the ballet Coppélia of 1870 was considered as the last work. Famous ballerinas in the romantic era include Mary Tarioni, Fanny Esler and Jules Perrault. Jules Perot is famous for choreography, especially Giselle (he is often considered the most popular romantic ballet).

The romantic era began in the early 19th century and reflected the then artistic and literary romanticism. After the classical era, the ballet has become a combination of dynamic and dramatic stories. This is the birth of the story ballet. The romantic era is a supernatural and exotic era like fantasy, ether. The story of time includes good and evil, people and nature, society and supernatural problems. A woman became a superstar of ballet, introducing poant work, introducing a dance style at the tip of the toe, giving a floating illusion. As women become central, men play a role in supporting ballerinas. Important ballerinas of this era are Marie Taglioni, Carlotta Grisi, Lucille Grahn, Fanny Ceritto. Popular ballets in romantic times include La Sylphide, Giselle, and Coppelia.