Classical and Post-Classical Hollywood Cinema

Classic and Post-Classic Hollywood Cinema Introduction In this article I will explain the difference between Classic Hollywood and Post-Classic Hollywood. Although these terms refer to theoretical movements, it is not conclusive, but my goal is to show that they apply to the dominant tradition of Hollywood movies from 1916 to 1960 . Story movies) and the movements and changes that appeared after this period (Post Classic or New Hollywood).

Post classic movie is the term used to describe the changing way of the new Hollywood story. A new way of drama and character formation that the time series is disturbed, the story is characterized by "distorted end", and the boundary between the opponent and the hero may be blurred, and the new way of character formation creates audience expectations in classical times Some people think they got it. The roots of the Clear Post Classic Story Telling are seen in black movies, ruthless rebellion (1955), and Hitchcock's story - broken psychology.

Post-classic movies are a way to change the story of a new Hollywood producer. A new way of drama and expression plays the audience's expectations gained during the classical / golden era: the chronology of the story may be disturbed, and the story is a way that the hero is morally ambiguous It may be characterized by disturbing "twist finish" that may act on the opponent and the hero may be blurred. The beginning of the post-classic story can be seen in movies like black movies of the 1940's to the 1950's, for example "Rebel Without a Cause (1955)" and "Hitchcock". A controversial movie like straw dogs, clockwork oranges, French connections, and dirty Harry was released in 1971. This caused intense debate about the expansion of violence in the movie.

American movies, also called Hollywood since the beginning of the 20th century, have had a great impact on the film industry. The dominant style of American movies is a classic Hollywood movie developed from 1917 to 1960, which is characteristic of most movies made to date. French Auguste and Louis Lumiere are generally thinking about the birth of contemporary films, but American movies quickly became the industry's mainstay. I am producing the largest number of movies in a movie theater in one country and there are more than 800 English films a year on average. National movie theaters in the UK (299), Canada (206), Australia, and New Zealand also produce movies in the same language, but they are not considered part of the Hollywood system. Hollywood is also considered a multinational movie