City of God, by Fernando Meirelles and Pixote, by Hector Bebenco

The innocence of Brazilian lower grade children was lost in both films, the city of God led by Fernando Meireles, and Hector Pepecco led by Pixosort. In both films, the loss of innocence arises from the lack of authority, and above all, the lack of family structure. This lack of innocence arises from the socioeconomic status of the lower class where the young people live. Children and adolescents can gain amazing power as it will introduce violent lifestyles on the street.

"Pictures may change my life, but if you run away they will take you, and if you stay, they will take you as well." TiaLund and "The City of God" of Fernando Meirelles provides various explanations about the violence it depicts, but after all - in that city and in its role - violence transcends performance, understanding or escape Are presented as something to do. I suggested motivation, but it is not enough to show the extent and prevalence of violence. An alternative to violence was only revealed and destroyed. The formal strategy adopted by the City of God is itself violent and resists simple synthesis and understanding. The movie put an audience in the canceled auditorium. And finally, it shows the omniscience and the sense of control proved to be wrong.

The innocence of Brazilian lower grade children was lost in both films, the city of God led by Fernando Meireles, and Hector Pepecko led by Pixosort. In both films, the loss of innocence arises from the lack of authority, and above all, the lack of family structure. This lack of innocence arises from the socioeconomic status of the lower class where the young people live. Children and adolescents can gain amazing power as it will introduce violent lifestyles on the street.

In "City of God" by Fernando Meirelles (2002), the matrix of violence is the behavior of the state, and in the 1960s it was robbed of power from Zonasul of Rio de Janeiro. They placed lowlands on dry land, urban life, roads, electricity, sanitation, and transportation, away from residents' workplaces. Fearing the infinite cruelty of the character's face, ZéPequeno - we began to hate in a matter of minutes - a desperate cry of a child was forced to be shot, a movie tension, a horrible pulse - a trembling speed movie , Clever tension - all of this includes a violent audience that it intends to show.