Cinema Novo: The Juxtaposition of Classic Hollywood Cinema to Brazilian Cinema

For 12 years, the slave of the award-winning movie director Steve McQueen made a movie "Write a novel - you are telling a story." This message is very powerful and defines the essence of filmmaking. The aim is to "tell stories". (Victoria) Hollywood used the first visual narration of Lumiere brothers in 1985 and they made the first projection movies - the workers left the Lumiere factory. Then the studio system called Classic Hollywood Movies was designed to finance, organize, produce, sell, distribute and exhibit movies to entertain movie viewers as they gain economic benefits .

American movies, also called Hollywood since the beginning of the 20th century, have had a great impact on the film industry. The dominant style of American movies is a classic Hollywood movie developed from 1917 to 1960, which is characteristic of most movies made to date. French Auguste and Louis Lumiere are generally thinking about the birth of contemporary films, but American movies quickly became the industry's mainstay. I am producing the largest number of movies in a movie theater in one country and there are more than 800 English films a year on average. National movie theaters in the UK (299), Canada (206), Australia and New Zealand also produce movies in the same language, but they are not considered part of Hollywood movies. Hollywood is also considered a multinational movie

A classic Hollywood movie is defined as a technical and story style of a movie from 1917 to 1960. In the Golden Age of Hollywood, thousands of films were released by Hollywood studios since the end of the quiet era of American movies from the late 1920s to the early 1960s. The beginning of the Golden Age is the fact that jazz singer was released in 1927, as the sound appeared in the movie, the age of silence ended and the box office income increased.

Following Glauber Rocha's "Hunger Aesthetics", since the 1960's Cinema Novo, Brazilian films have been promoted and defined by various forms of violence. When the city of God explains poverty and exclusion rather than promoting an open political agenda, it refers to the economic and cultural violence of Brazilian society. This can be achieved effectively by positioning the city as a violent place. As the title suggests, this movie, like other inhabitants, is focusing on geographical places, slums. First, rocket narration explained the origins of the slums. Floods and riots took out poor people from the city center of Rio. Mr. Rocket also expressed the feeling of abandonment and alienation of the residents who said, "It is not important to our powerful problems, we are too much." The way this movie controls the city strengthens the feeling of refusal.