Chuck Jones, Producer, Director, Animator

Chuck Jones, Producer, Director, Animator Chuck Jones was born on September 21, 1912. Jones graduated from the Art Chouirdart School of Art (now the California Institute of Art) in 1932 and entered the Ubbe Iwerks studio as a washroom. He joined the Leon Schlesinger studio and then sold it to Warner Bros. as an animator in 1936. So Jones was assigned to Tex Avery's animation department. In 1938, at the age of 25, he oversaw his first animated film "Night watchman." Jones stayed at the Warner Brothers.

It began with a dramatic contrast between orchestral expansion, lightning cracks, and stones at the edge of the cliff. Chuck Jones is the director of "What's Opera, Doc". The American animation of majordomo did not win the reputation of his work, and after 60 years, this 1957 cartoon classic still reflects his trademark supervision style. In recent years, thanks to a high evaluation on channels such as Boomerang and Cartoon Network and free play, it was one of the most remarkable famous cartoons of Jones' heyday and became the best director of Looney Tunes short film . As a stupidly loose adaptation of Die Walküre of Richard Wagner, Jones took the Norse mythological opera and superimposed it on Elge Fudd's attempt to kill Burgess. Rabbit's classic manga circumstances (Bugs Bunny)

Chuck Jones Bay Spokane, Washington, September 12, 1912, d. On February 22, 2002, Chuck Jones was regarded as one of the animation masters correctly. Tex Avery tried to broaden the art and language of animation by asking about its boundaries and possibilities, but Jones was responsible for fully integrating the animation with other fields. worry. After graduating from high school, Jones went to the School of Fine Arts School in Los Angeles. In 1931, he became a washing machine in a celebrity movie of Pat Bowers (tidied up a transparent movie, animated characters were drawn), but now it became a better character (character 2 In one important position) The action to draw the '' medium '' 'action chosen by the main animator under the supervision of Grim Natwick later became a designer of Disney Snow White and seven dwarfs (1937)

Warner Brothers was always a studio with a rich animation heritage; a wonderful manga director like Chuck Jones helped them shape a stable star. However, the six minute comic is a neglected art form, and "Space Jam" looks like a Warner car and is forcing their Looney Tunes character into a long arena to fight Disney. The whole movie has this type of competitive hint. The space amusement park is named "Morren Mountain" and may be a tribute to Walt Disney World Space Mountain. When it becomes a professional hockey team, Duffy will say: "Duck? What kind of Mickey Mouse organization nominates their team duck?" Warner strategy goes well? If they can maintain a common star like Michael Jordan. It is difficult for an actor to work in a movie that combines motion and animation.