Children's Story Puss in Boots

To carefully study the type of 545 - b story children 's stories are wearing boots (by Aarne and Thompson) (1). A well-known story of human and animal help stories almost anywhere. There is much consistency between the Western tradition and the Central Asian tradition. Several themes are in parallel, but the details of the plot may change due to cultural influences. The political and social structures in which these stories were told form these details and lay the foundation for the story. The most striking difference between the Western version and Central Asia version seems to be which animal plays the role of a hero, a cat, a fox.

The girl in boots was first published by Perot with his Histoires or Contes du temps in 1697. The boots' boss was originally released as Master Cat. Straparvole notti of Straparola appeared in a different version in the 16th century. This story is called Constantinofornuto. The scholars believe that the story of Straparola comes from oral legends. However, there is no evidence to prove this theory. Another writer, Giambattista Basile, created a similar con artist's cat story in the 17th century. This story is called Gagliuso. This story has been translated into Calioso. The prototype of this fairy tale crooks cat is distributed in part of Europe. More specifically, it circulates in Siberia and then flows to India, Indonesia, and the Philippines. The more the story is from Europe, the more the story changes.

As we all know, boys' girls can use the tricks for power and wealth to organize into the story of cats. Thus, Boots in Pots can be easily associated with classic "irregular" prototypes. Another similar prototype is a "weak" prototype. This prototype is very popular in America. If anything, this is a prototype that we and the society really tend to do. This is why the United States accounts for a considerable proportion of the boots' adaptability. For example, adaptation of girls in boots that are present in Fragments 2 and shrek is most similar to "weak" prototypes.

George Crook Hank, a prominent illustrator of Dickens' novels and stories, has parents read children's "boys wearing boots", "This story is a series of successful lies - one clever lie! - Secularly the most favorable fraud system. "Another critic Maria Tatar points out that Puss has little to evaluate - he steals, threatens, flattenes, deceives, promotes his master I will. She further stated that Puss was seen as a "language artist", an artist who acquired power and wealth by acquiring persuasive power and rhetorical art. "Puss in Boots" succeeded in replacing the predecessors of Straparola and Basile. This changed the story of many old-fashioned oral fraudsters. An ethical perot related to the story is either incompatible with the story or inconsistent with the point.