Have you ever wondered how musicians can play melody, rhythm, chord, improvisation on their heads? Well, this spontaneous idea is called improvisation. Improvisation is a creative activity of "current" music work. Basically, this is frustrating and musicians simply form rhythms and melodies without considering it. Whatever the musician feels, he can incorporate this feeling into his musical thinking. But how is this imagination born?
Charles Limb is a creative neurosurgeon who studies how the brain functions during improvisation. In the most beautiful situation, Limb puts musicians and wrappers in the fMRI machine, requests the content to be played from the memory, and requests what is produced on the spot. The extremities found that when their subjects switched from memory to their lifting, their brain scan showed that the area associated with self censoring was focused on the output significantly late. In other words, if you are too concerned about what the output will be, you can not let your creative monster fly.
Recently, research by Johns Hopkins neuroscientist Charles Limb used functional magnetic resonance imaging (fMRI) to examine the brains of improvised jazz musicians. He discovered that the dorsal prefrontal cortex is the most famous self-conscious area in the brain and inactivated as it flows. Self-monitoring is your inner critic and always guesses your thoughts and behaviors. Without this constant criticism judgment and analysis, the behavior will be smoother and more automatic.
In recent years, neuroscientists continue to study that essential mental and physical activity in art is as important as the function of the brain. Charles Rim, a brain scientist and musician at Johns Hopkins University (and a member of the Baltimore Symphony Orchestra Science Advisory Team) says: With a neurological product, we can study it. "In the Baltimore Symphony Orchestra, we are committed to the importance of music from early to oldest BSO Music Box Series (TM) is to stimulate consciousness, listening, coordination, language and music production We will introduce music, art and reading to children from 6 months to 3 years through designed interactive activities.This research is based on anecdotes of compliance, but we regularly participate in these experiences I saw a positive recognition of the children they are doing.