Characters in The Odyssey and Ramayana

In Odyssey and Ramayana, writers draw characters through the eyes of their culture and civilization. In both works, the expression of men and women reflects the ideals that were pursued at the time. In particular, in the text, we focus on the relationship between the hero and religion, and the relationship between the hero and his family. Odyssey has Athena and Odysseus, Ramayana has Rama and Shita. Both Athena and Sita represent an ideal woman whose actions and thoughts are based on emotion.

This is a few links to several important articles about Homer 's "Odyssey" thesis which may be useful: The role of Telemacos in "Odyssey": Odyssey's Paternal Relations and Family Relations: Women's Narrow Role Odyssey: Odyssey Hospitality and Sir Gwen and Green Knight: Image of Odyssey's food and temptation

In Odyssey and Ramayana, writers draw characters through the eyes of their culture and civilization. In both works, the expression of men and women reflects the ideals that were pursued at the time. In particular, in the text, we focus on the relationship between the hero and religion, and the relationship between the hero and his family. Odyssey has Athena and Odysseus, Ramayana has Rama and Shita. - The roles of women in Odyssey and Iliad "Iliad" and "Odyssey" differ in women's ideals, whereas women as ideal women differ in the two epics. Differences in roles are greatly influenced by strength, relationships with men, sexual desire and activities. The goddess plays an important role in both epics. They have various reasons. One is maternal instinct

Various writers use the goddess of Hindu myths and characters to identify Rada's characters, like Rada (Krishna's lover, incarnation of love and romance) and the tower (sacred heroine of Indian epic Ramayana) It is. The nobility's moral value, Savitri (representing great moral and loyalty to her husband), Draupadi (personal responsibility and morality), Dharti-mata (goddess of Mother Earth) and Lakshmi (goddess of prosperity of Hinduism). In addition to these gentle goddesses, the character of Rada is also the shadow of the goddess of intense warrior such as Durga and Cali. Filmographers are gentle, obedient son Lam and Epic Ramayan's epic lama, and Krishna, known for his transcendence, Krishna's romantic sin, Bilj. Her husband who left her Lada, Sham (aka Krishna) is also equivalent to Krishna who left his lover Rada in mythology.