Chapter Ten: The Experiment of Caricature, Art and Illusion by E.H Gombrich

Chapter 10: E.H Gombrich Comics, Art and Fantasy Experiments In Chapter 10, the authors extend how university education practices are transformed into more. This chapter will try to clarify the processes and experiments that help to transcend the expression of art through the results. There is further movement between Rembrandt and John Constable, and up-and-coming artists can draw their views from nature.

In the groundbreaking work "Art and fantasy" of 1960, art historian EH Gombrich pointed out that the importance of "sharing onlookers" is that ambiguity allows viewers to actively participate in the work Imagination, and a bit higher than that, praising the "information-based" sense Csi's enthusiastic fan novel is confirmation of the Internet era of Gombrich's idea. These viewers were moved to use their own stories to fill in the tips of the show, and it was not a coincidence that they liked the best emotional cage characters. (Fan novel has an important history of emotional depression: In the 1930's, an informal group called itself Baker Street began to write a story about dry computers, Sherlock Holmes. 1967 Early fans, Scockanalia I was dedicated to Mr. Spock, the first researcher of the Star Trek publicly released.

He compared this subject with theoretical physics, he believes that the art history does not benefit from "public intellectuals" from E. H. et al. Gombrich is the author of the book "The Story of Art" originally published in the accessibility handbook of 1950 or Kenneth Clark, and its 1969 series is still very popular.

In response to the art historian Gombrich and Panafsky's efforts in the human behavior theory of the 1960s, the authors attempted to cross the boundary between these disciplines in order to explore the inversion of this concept. . This work includes reviews of the four main concepts of art trying to bridge the theory of art and personality by proposing that the content applicable to painting also applies to human beings, and presentation of evidence to support "reaction theory" It is included. Recognition of art and human perception, and re-casting of "self" as emotional essence are common.

E. H. Gombrich's question in "Art and fantasy": "Why do you differentiate the world in which age and country look different?" This reminds me of many examples and research on human beings. Looking back on the history, the stone age people who did not develop languages ​​at the time used symbols and essentially implicit symbols for communication. They draw pictures in the cave and use the symbols of nature to convey information. As Wolfflin says, "Not all periods are possible" (Gombrich, 4) We now have a new technology and digital world take over all of people's lives. As we all know, people communicate differently than they did ten years ago. Even for those who do not have much technology yet, abbreviations that are heavily used may make little sense few years ago.