Cennino Cennini

Cennino Cennini (around 1370 - 1440) is an Italian artist and writer, and the most famous one is probably the author of "Il Libro dell'Arte" written in the late 1390s. This work includes painting practice and is intended as an apprenticeship technical manual.

Translated into English by DV Thompson (1954) under the heading "The Craftsman 's Handbook", it is a valuable source of information on all aspects of the late medieval painter' s workshop and technology.

Cennino claims that he is a painter, a student of Agnolo Gaddi, and his father is a student of Giotto, but none of his known works have been confirmed.

This paper contains an analysis of all the techniques and painting theory known at the time, which is beyond medieval works like the art book of Cennino Cennini (1390). De pictura also includes the initial explanation of linear geometric perspective around 1416; Alberti attributed this discovery to Brunelleschi and devoted him the 1435 version. Alberti considers a large number of historical paintings to be the most sublime art. That is because it is the most difficult and needs to master all other forms. He emphasizes the ability to describe the interaction between characters through gestures and expressions.

Cennino d'Andrea Cennini (around 1370 - around 1440) is an Italian painter who was influenced by Giotto. He is a student of Agnolo Gaddi. Gaddi was trained by Taddeo Gaddi, his father trained at Giotto. Cennini was born in Colle Val d'Elsa, Tuscany. His reputation was the main reason he created Il libro dell'arte and was often translated to The Craftsman 's Handbook. This book, which was originally thought to be written in the early 15th century, is the "how" of the Renaissance art. It contains information on techniques and techniques including paint, brush, panel paintings, mural paintings and background, background, and over-application details of egg temper. Cennini also made early discussions about oil painting. Cennini's life schedule is very speculative. People often believe that he was still alive in 1437 as that date appeared in his copy of the manuscript.

A painter of the 15th century, Cennino Cennini, explained in his famous artist handbook how this pigment was made during the Renaissance period. "...... There is black made from a spinning beard, they are burned, pour some water on them and then crush them like any other black.This is used by us It is a thin black pigment which is one of the perfect pigments. "Cennini Also," There is another black made from burnt almond shells and peaches.This is perfect delicate black. "Peach, cherry, apricot Let's make similar wonderful black men by baking pits. Then mix the powdered coal with the yellow yellow of gum Arabic or egg and make paint.