Cennini, Cennino

Florentine painter and author. None of his paintings survived, but he was memorized as a writer of Il Libro dell'arte, written about 1400 years ago, the most important source of artistic practice in the late medieval period. His detailed explanation of tempera and mural is definitely reflected even a few times, as Cennini pointed out in the book that he is a student of Agnolo Gaddi who learned from his father Taddeo Gaddi who is a Giotto student . The same is true when deleting. The founder's technical program of the wonderful tradition of Florentine paintings. Vasari mentioned the book, but the surviving manuscript was forgotten for a long time, and the text was not printed until 1821. The standard English translation of Daniel V. Thompson Jr. is called The Craftsman's Handbook (1933) and replaces the two translations of the 19th century (1844 and 1899).

Cennino d'Andrea Cennini (around 1370 - around 1440) is an Italian painter who was influenced by Giotto. He is a student of Agnolo Gaddi. Gaddi was trained by Taddeo Gaddi, his father trained at Giotto. Cennini was born in Colle Val d'Elsa, Tuscany. His reputation was the main reason he created Il libro dell'arte and was often translated to The Craftsman 's Handbook. This book, which was originally thought to be written in the early 15th century, is the "how" of the Renaissance art. It contains information on techniques and techniques including paint, brush, panel paintings, mural paintings and background, background, and over-application details of egg temper. Cennini also made early discussions about oil painting. Cennini's life schedule is very speculative. People often believe that he was still alive in 1437 as that date appeared in his copy of the manuscript.

This paper contains an analysis of all the techniques and painting theory known at the time, which is beyond medieval works like the art book of Cennino Cennini (1390). De pictura also includes the initial explanation of linear geometric perspective around 1416; Alberti attributed this discovery to Brunelleschi and devoted him the 1435 version. Alberti considers a large number of historical paintings to be the most sublime art. That is because it is the most difficult and needs to master all other forms. He emphasizes the ability to describe the interaction between characters through gestures and expressions.

Victoria Finlay's notorious British counterfeiter, Eric Hebron, was greatly influenced by Cennino Cennini in her book 'Color: Traveling through the Painting Box'. The last book Hebourne wrote before being brutally killed was "Art Counterfeiters Handbook." Finlay says he will "use and adapt Cenino's advice widely - prepare the panel, coloring the paper of different colors, and make it look like it was drawn for a while (beat egg white, overnight Leave it, then use it.) As the owner suggested. "