Catalog Record: A house of art : Rubens as collector : Rubenshuis & Rubenianum | Hathi Trust Digital Library

The 2004 "Art House: Rubens as Collector" exhibition is definitely the most ambitious project in the history of Rubens - the family museum of Peter Paul Rubens (1573-1640) already exists in him . Antwerp lived nearly half a century. As two guest curators hosted by Christine Rose Berkin and Fiona Healy, Rubens' spirit is reproduced and his rich arts and antique collections are exhibited. As accepted in the introduction, the task of selecting and displaying a representative number of hundreds of objects related to the Rubens collection at some point in his life or elsewhere is extremely beneficial and difficult. Belkin and Healy founded the Rubens Museum of Art in Antwerp last spring. We also cataloged catalogs of products made with extreme caution as more specific products of their labor love.

As an exhibition, the art house: Rubens shows his most personal Rubens personal art collection at his own home and provides a unique experience as a collector. When I visited the exhibition for the first time, the bucket and mop coincidentally were forgotten in the corner, and the family atmosphere was further increased. There are few exhibitions that are perfect for that combination, and due to this pairing, the curators Kristin Belkin and Fiona Healy are worth the celebration. The catalog can not reproduce the experience on the fly, but it provides an important alternative perspective for keeping track of the collection over time.

Ben van Beneden, Director of Rubenshuis of Antwerp, is currently presenting portraits of girls. Perhaps Clara Serena Rubens is genuine and included in the next exhibition "Private Rubens: Masters Shape His Family" by the authorities. Because the Antwerp Museum is a former residence of former Flanders masters and is a studio, this show makes the portrait of Rubens' daughter more symbolic. The portrait of Clara Serena is not the first work redistributed as a true Rubens recently. The rape of Leucippus daughter who came from the Oslo National Art Museum · architecture · design (1610-1611) in the 1950s is also a copy of what was held in the 1950s. transaction