Cascando, by S. Beckett, and Burnt Norton, by T. S. Eliot

S. Beckett's "Cascando" (verses 41 - 42) and TS Eliot's "Burnt Norton" (quartet 7 - 13) represent the poet 's love and desire for unity. Love and Eliot hope for God's revelation and express his understanding of God's love that created the universe. Knowing the personal circumstances of the poet, the creative pain of the artist can be found in these complex poems.

The killing of the Cathedral is a poem by T.S. Eliot and depicts the assassination of the great playwright Thomas Beckett in 1170 Canterbury Cathedral, the first performance in 1935. Elliot made great emphasis on Edward Grimm who was a witness. The play, including the opposition to the authority of the individual written during the rise of Central European fascism, can work as an individual against the country affected against the Nazi regime's desire to destroy the Christian church. The producer asked for some of the materials deleted or replaced while Elliot wrote to convert it to the poem "Burnt Norton"

In his book "Defense T. Eliot" (2001) and T. S. Eliot (2006), Craygrain is trying to defend Eliot from anti-Semitism accusations. Looking back on the book in 2006, Paul Dean said he does not believe Rennes' assertions. Still he said, "In the final analysis, it is argued that Eliot might have been compromised as a person, just like Rennes in justice.In another comment published by Rain in 2006, Literature Critic Terry Eagleton also questioned Ryan's Elliott's defense against the character deficits as well as Ryan's books: "Critics why they wrote like affectionate parents Eliot 's reputation was undoubtedly established, there is no profit as much as Gabriel the Archangel, "he thought of the need to protect writers and not listening to criticisms of disliked children.