Carrie Lambert-Beatty

Carrie Lambert-Beatty is a professor and doctoral researcher at the Department of Arts and Architectural History at Harvard University and the Department of Visual Environment Studies. In the study of movies and vision. She is an editor of October magazine (Executive editor of 9 / 1999-7 / 2001)

She is an art historian who specializes in art from the 1960s to the present, is an art historian who is particularly interested in the performance of expansion and is currently publishing a paper in the October 2009 issue of the University of Chicago Press. - Book of believing. Death Penalty and Rationality. "What is the aesthetic and morals when artists deceive the audience? Why the novel is true -" Fiction "- Is it a common way of contemporary art and culture in the early 1990's? In the past ten years, one of the main research subjects of Lambert-Beatty is the possibility and limitation of political art in modern practice, the mixture of art and activities ("women in the waves" and "yes men" I will explore. "Monitored book" published in 2008: Yvonne Liner and the 1960s (MIT Press) received the de la Torre Dance Research Award in 2008, Lambert-Beatty was awarded the American and Modern / Contemporary art at Stanford University I learned. I got a doctor's degree.

People I saw: Yvonne Rainer and Massachusetts Institute of Technology Press, 1960 's, 2008, page 382. INTRODUCTION [1] In describing the aesthetics of political issues in minirealism, dance, literature, and Rainer's work, this book asks questions on how artists respond to unconscious levels and media culture that thrived in the 1960s It is also driven by. Comment: Bowman (Art Book 2009), Rokem (TDR 2010)

I borrowed the word "camouflage" by art historian Carrie Lambert-Beatty (2009) and saw at least a fictional art project seen by many people at least for a while. Eva and Franco Mattes (also known as 0100101110101101.ORG) is an example of The Yes Men that imitated the participation of representatives of the World Trade Organization on conferences and television programs, renamed Karlplatz to Nikeplatz, or renamed Michael Blum to pseudo-historical feminism Did. In the introduction of the Istanbul Biennale translator Safiye Behar, Lambert-Beatty (2009, page 54) in 2005, the fictional project trusted the persuasive props and platforms and questioned the current "trust and word theory" I am looking

Despite the long historical relationship of art and fraud, Carrie Lambert - Beatty considers this to be fiction: "Fiction and fiction are emerging as an important element of contemporary art. Scope: But doctors As opposed to a caregiver, the death penalty relates to the categories of literature and the novel established in the field of theater, but it is not exactly the same.The fact of historical fiction with legs in the real world, but imaginary Unlike the world, real and / or imaginary characters and stories intersect the world in life with reality and / or imaginary characters and stories. As Lambert-Beatty points out, the facts of life There are all kinds of situations (even at the present moment).