Carrie Lambert-Beatty

Lecture and seminar, October 2, 2017. Graduate School of Contemporary Art, University of London "The Death Penalty, Art of Post Truth and Contemporary Knowledge"

Despite the long historical relationship of art and fraud, Carrie Lambert - Beatty considers this to be fiction: "Fiction and fiction are emerging as an important element of contemporary art. Scope: But doctors As opposed to a caregiver, the death penalty relates to the categories of literature and the novel established in the field of theater, but it is not exactly the same.The fact of historical fiction with legs in the real world, but imaginary Unlike the world, real and / or imaginary characters and stories intersect the world in life with reality and / or imaginary characters and stories. As Lambert-Beatty points out, the facts of life There are all kinds of situations (even at the present moment).

I borrowed the word "camouflage" by art historian Carrie Lambert-Beatty (2009) and saw at least a fictional art project seen by many people at least for a while. Eva and Franco Mattes (also known as 0100101110101101.ORG) have renamed Karlplatz to Nikeplatz or Michael Blum to pseudo-historical feminism, according to the example of The Yes Men, which imitated the participation of representatives of the World Trade Organization on conferences and television programs did. In the introduction of the Istanbul Biennale translator Safiye Behar, Lambert-Beatty (2009, page 54) in 2005, the fictional project trusted the persuasive props and platforms and questioned the current "trust and word theory" I am looking