Carlos Santana Ryan Conroy knows the special magic of Carlos Santana all over the world. Since 1966, he has led a group named after him, sold over 30 million albums and played in front of an estimated 13 million people. In each performance, Carlos shared personal communication with audiences across all boundaries and differences. Carlos was introduced to traditional music by his father Jose. As an outstanding Mexican elegant violinist and an experienced musician, he teaches the basics of Carlos music theory and makes him understand the value of the notebook.
Carlos Santana Audio (born July 20, 1947) is a Mexican and American musician who first became famous in his band Santana from the late 1960's to the early 1970's, which produced a fusion of rock and Latin American jazz . . The voice of the band sets Latin and African rhythms on his melody and blues-based guitar line. And it includes music that is not usually heard in rock music and percussion like conga. In the coming decades Santana will continue to work in these ways. In the late 1990s, he experienced popularity recovery and praise. In 2015, Rolling Stone magazine cited Santana as one of the twenty great guitarists. He received 10 Grammy Awards and 3 Latin Grammy Awards
In 2016, Carlos Santana reunited with past Santana band members Gregg Rolie, Michael Carabello, Michael Shrieve, Neil Schon and released the album "Santana IV" and the band began a short tour. The entire lineup of this lineup was taken at the House of Blues in Las Vegas and was released as a live album and DVD called LIVE OF HOUSE OF BLUES, about 8 years old. Performers such as Mike Bloomfield and John Lee Hooker. GáborSzabó's jazz / gypsy guitar work in the mid 1960s also had a major impact on Santana's performance. In fact, Szabó's work "Gypsy Queen" was used as the second part of the contract with Santana in 1970, and was used as "Black Magic Woman" by Peter Green which is almost the same guitar. Santana's 2012 instrumental album, Shape Shifter, includes a song called "Mr. Szabo" which is interpreted in the style of GáborSzabó.