Caravaggio

Caravaggio Michelangelo Merci was born in Caravaggio, Lombardy State on September 28, 1573. His childhood lived in a small town between Brescia and Milan. Caravaggio became an orphan when he was very young, and by chance he was sent to Milan to study paintings. This is the beginning of his career. For 18 years from arrival in Rome to death, Caravaggio enjoyed the pleasure of becoming a young artist. He enjoys a successful victory, an invisible land travel, unfortunately, unfortunately, the death of exile and loneliness.

Caravaggio 's mother died in 1584, and in the same year he began a four - year apprentice for Milan painter Simone Peterzano and explained it as a Titian student in apprentice contract. Caravaggio seems to stay in the Milan - Caravaggio area after the end of his apprenticeship, but he will visit Venice and see the works of Giorgio Zakari who accused him as to later imitate him. And Titian. He is also a treasure of the art of Milan art, including the "Last Supper" by Leonardo da Vinci and the art of Lombardy that emphasizes the simplicity and naturalistic details of attention to German naturalism rather than stylistic Also familiar with. Form and the greatness of Roman Orthodox

Recent scholarships have changed the concept of Caravaggio's revolutionary and classified him as a true innovator (Read, 1994). The revolutionary aspect of Caravaggio's work is his "... transition from the experiment of the 16th century style to the baroque art of Rome developed in the 17th century" (White, 1995). Caravaggio's so-called "realistic" artistic assumption scenario is Rome - one of which strangely thinks that he is a pioneer of contemporary art - but he is "as naturalist as he wishes It is neither revolutionary nor revolutionary. " (Levey, 1974). Caravaggio is the theme of still life, so its uniqueness seems to be unrelated to the main theme. In his photograph there is a strong contrast between naturalism, bright light and opaque shadow. Again, liking this unusual and eye-catching landscape, he created a nostalgic cards style and incorporated it into his great religious paintings.

Caravaggio "Oscro (the shadow) is made with the contrast of light." Although Kiroscuro was practicing long before it appeared, Caravaggio made the technique a dominant style element, darken the shadow and dazzle light I made the body is fixed to the shaft. The continuation was a sharp observation of his great popularity and physical and psychological reality that formed the basis of his frequent problems at the religious committee. He works at a very fast speed from the onsite model to the canvas's basic guide, the end of the brush; there are few Caravaggio paintings that seem to survive, he probably likes to work directly on the canvas I will. This custom was a curse for skilled artists of the time, and he condemned the refusal to work from his paintings and to idealize his personality. But that model is the foundation of his realism.