Caravaggio

Introduction After her husband's death in 1577, Lucia Aratri, a mother of Caravaggio, raised Michelangelo and three brothers and sisters with the help of his father. Caravaggio is considered to have accepted the basis of formal education, but he seems to be uninterested in writing, such as writing Leonardo Da Vinci and Michelangelo Bonaroti who wrote academic papers. The work ranges from poetry to foodstuff list. Sketches of caravaggio's letter, paintings, or preparations have never been discovered.

Caravaggio 's mother died in 1584, and in the same year he began a four - year apprentice for Milan painter Simone Peterzano and explained it as a Titian student in apprentice contract. Caravaggio seems to stay in the Milan - Caravaggio area after the end of his apprenticeship, but he will visit Venice and see the works of Giorgio Zakari who accused him as to later imitate him. And Titian. He is also a treasure of the art of Milan art, including the "Last Supper" by Leonardo da Vinci and the art of Lombardy that emphasizes the simplicity and naturalistic details of attention to German naturalism rather than stylistic Also familiar with. Form and the greatness of Roman Orthodox

Recent scholarships have changed the concept of Caravaggio's revolutionary and classified him as a true innovator (Read, 1994). The revolutionary aspect of Caravaggio's work is his "... transition from the experiment of the 16th century style to the baroque art of Rome developed in the 17th century" (White, 1995). Caravaggio's so-called "realistic" artistic assumption scenario is Rome - one of which strangely thinks that he is a pioneer of contemporary art - but he is "as naturalist as he wishes It is neither revolutionary nor revolutionary. " (Levey, 1974). Caravaggio is the theme of still life, so its uniqueness seems to be unrelated to the main theme. In his photograph there is a strong contrast between naturalism, bright light and opaque shadow. Again, liking this unusual and eye-catching landscape, he created a nostalgic cards style and incorporated it into his great religious paintings.