Caravaggio, Death of St. Matthew

Caravaggio, death of St. Mark Michelangelo Caravaggio was one of the most famous and popular artists of the Baroque era. Indeed, many paintings since this period have been described as "Karavazesuk". Caravaggio's work is the most popular work in Italy and the world and is incorporated into his own style group. In his paintings, the martyrdom of St. Matthew contains certain features that make paintings easily recognizable by successful lovers of painters.

The call by St. Matthew was drawn in the late 1500s of Michelangelo Meridas Caravaggio in the early Baroque period. I realized the canvas with a brilliant color, red, gold, green, bold contrast of various velvet and soft fur. Caravaggio painted some pictures for the Roman church, San Luigi dei Francheji. - Many people think that ostriches buried their heads in the sand, but they can not be seen without predators, I think that lemming often kills a large scale in order to avoid overpopulation. These examples show confirmation bias, anchor effect, and halo effect. "Facts" are incorrect. According to National Geographic magazine, an ostrich fills the head in the sand.

Compared to Caravaggio St. Matthew of the same church, Domenicino's St. Cecilia mural is quite different. After a dark, arrogant and sideways altarpiece of Caravaggio at Contarelli church, the combination of the domenicino offerings made over 10 years has a more relaxed palette. This is because of mid-size mural paintings. Many other aspects of this work are quite different from the Baroque style of Caravaggio. Domenicino seems to revive Bologna's classicism in his St. Cecilia mural. The composition of the character as a whole creates a very promising triangle. This establishes stability. However, there are still many moves and strong diagonals in the triangle. The two graphics in the lower corner of the combination are mirror images of each other and produce continuous motion in the scene.

Caravaggio's first public committee was "the martyr of St. Matthew". This is also his first "Dell'Otro". In this picture, the face of the person who ran away on the left side of the background shows his attack on the barber 's apprenticeship. There is no negative confession. When asking in time, the barber completely explained the features of Caravaggio himself. The left face is now considered a self-portrait of frowning Dell'Otro's face, and in 1610 he completed St. Ursula's Martyrdom, the final work, and was also a self-portrait. "The face of Caravaggio himself appears in the most right silhouette as if he is about to see a tragic event, his mouth opened with a natural pose of surprise and fear (Dell'Otro)" Compassion A mind expression with her is fixed to the scorpion's hand instead of a martyr