Words are powerful, but sometimes actions are harmed. A well-known argument is that "behavior is better than eloquence," in which case they did it. A girl has a monster shadow on the canvas and uses a negative space to use the newspaper as a monster and a black background is a "monster-type girl" (Macleod, P. 40) symbolizing communication by opposite words. You can be like. Among the monsters, there is a girl painted red with her arms folded. This shows that young people are involved in bullying.
I am standing by art alone. It is several inches from the huge painting of the artist who studied at school. This is a monster. A 5 foot wide, 15 inch paint flew over the canvas. Red beads, white, red, black, yellow brook. The paint seems to have just been thrown on the surface 1 hour ago. I can hardly hear a picture that is cold like a new car; as the metal cools, that engine ticks and makes a note. This is not a piece of cloth
The first canvas is an expression of the childhood war experience. After several boys and girls painted on it, the canvas became an abstract turmoil including red paint, dark and child tanks, soldiers, bodies, pictures of airplanes and destroyed houses. This is a glimpse of everything the children witnessed in Syria, the devastated war. Saying Arabic is very precious to adjust the project. Many kids acknowledge that they do not want to think or draw about war. Therefore, the second canvas we drew together was a vibrant expression of their memory in Syria. I am inspired by Islamic art and design of arabesque patterns to celebrate the rich cultural heritage of the Middle East.
I must admit that "behind the canvas" is very interesting. Claudia behind the canvas is a shy girl and no friends. She can learn to paint forever and like to imitate famous works. But one day a strange thing happened - one of the paintings moved. More specifically, a boy who does not belong to the blue eyes will move. Then the boy speaks and she knows that his name is Pim. Pim is a real boy trapped behind a canvas by a witch. Claudia also learned that transcending human eyes is a different world. In this world, all the pictures are active. Some real people, including evil witch Nee Gezicht. Claudia must face any fear of rescuing her only friend from the life behind the canvas. I like this concept the most in this story. The writer clearly thinks much about the world after each picture. I like the idea that these pictures are related to our own world. I also like writers that you guess.