By Damien Hirst in the Collection

Damien Hirst is the most outstanding person among young British artists (YBA) who appeared in the 1990s. When British advertising giant and collector Charles Saatchi purchased his work in his gallery and began to announce, this group got a reputation for the first time. Like many YBAs, Hurst is facing important themes such as life, death, science and religion. The sculpture of his mixed media is often controversial and consists of various formaldehyde suspended corpse, normally in a glass bottle, cigarette butts, surgical instruments.

The earliest Hurst attracted attention to what he called "live painting". One example was chlorpropamide (pfs) in 1996. These pictures consist of hundreds of colored points of the same size named after regulated substances, aligned in line with the grid. In Warhol's traditional repetitive series of images, these shameless, standard paintings use an easy and fun way to raise questions about anxiety. Was the medicine healed or hurt? After the live painting, Hurst further developed this field, creating a series of medicine cabinets full of medicine bottles and medicine packaging including old and new, symbolizing the famous healing power of art Did.

Hurst continues meditating on nature and death, usually with a commemorative title. His most famous series "Natural History" displays animals preserved in formaldehyde in a large tank like the herd of 1994. This theme vibrates between its newborn fur-like condition and the current inanimate pickling state and calls a sacrificial lamb the representative of Christ. Hirst often seeks aesthetic beauty to death and its beauty itself may be subject to lifecycle and material annihilation

This unforgettable beauty was discovered in a huge trilogy mixed with thousands of butterflies in 2007's father's rights, home paint. Butterfly's death imitates the stained glass of the back of the church to the amazing magnificence of the painting and adds a calm mark. By transforming the original material into an object that looks like metaphysics, Hurst promotes our assumptions about how images represent reality and cultural communication.

Interestingly, contemporary artists like Damien Hirst would like to maintain the integrity of the Potters series. Hurst is working on a variety of practical tasks, from paintings to paintings, to large installations and sculptures. Most of Hurst 's work is similar to stuffing, including art, relationship between life and death. Mr. Hess states as follows. Hearst is very crazy about the subtle balance of life and death. A friend who knows that he worked at the Leeds Medical School went to the department of anatomy for several visits where he pulled the body. In 1991, when he introduced the dead animals and began testing it was deeply rooted in Hurst's work. Although Hurst did not use animal specimens for his work, he used techniques to maintain technology (as many of the people in front of him), creating field changes and creation of new ones It supported.

Damien Hirst was one of the greatest provocators in the late 1990s, a polarized figure in the history of contemporary art and was a star of art in the 1990s. As a young, barely known artist, Hurst climbed very quickly thanks to the advertising bigger, Charles Search, who showed hope to the corrupt Hurst's animal body. And gave him nearly unlimited budget to continue. His shark was hung in a formaldehyde can entitled "Physical in Life can not die" and the audience in 1991 shouted and repelled the audience. In 1995 (in the same year that he was awarded the Turner Prize for his longing), Hurst set up rotten bulls, the public health authorities concerned about "vomiting among tourists" and in New York I banned cattle. Sid Vicious in the art world (Sex Pistols is his favorite band) is the result of super commoditization and celebrity processes that began with Andy Warhol.