Buck and the Preacher (1972)

This is sometimes referred to as abusing a movie, but it is not always necessary. I think that in the Kansas region in the late 1860s it is decent west side. This is a directorial debut of Sydney Poitier who plays back which is also a soldier of a former coalition, looking for a place for the former slave for the former slave who wants to solve. He reluctantly cooperated with missionary (Harry Belafonte). And he fought with the evil DeShay of the southern army who tried to force to slave to slaves in Louisiana. This is a very simple story, but it is based on a revisionism, not the way it is fully achieved. It has a very good rhythm and some decent movements. Music is okay, but it may be better. Poitiers are very good and I am pleased to see him stand out from a more dignified role. Belafonte is an absolute pleasure, and I also like Ruby Dee as Buck's wife. This movie can do more in terms of development, but we are enough to make things meaningless. Look at this. It's not the best, but it's pretty good and more worthy of attention.

In "Buck and Missionary" (1972) of Sidney Poitier in the western United States, Harry Bellafontein and Ruby Di co - starred in Portier 's first director work, and he also starred. According to Poitiers, the movie was not economically successful, critics opposed the comment. Poatier insisted that feature films were bankrupt at box office income. In fact, due to poor monetary acceptance Poitiers has lost a movie agreement with Columbia Pictures. Regarding how Poitier leads, he said, "I turned my camera for the first time, after taking three or four pictures in the first scene, I told myself I was calm. Not only did Poitier establish a position as a film director, he also established his own film production style, which can be seen in most of his works

In the 1960s he returned to the music scene with dissatisfaction with the character of the film he won. In the early 1970s, Belafonte appeared in more movies, two of which were Poitiers: back and preacher (1972) and Uptown Saturday Night (1974). In 1984, Belafonte made and filmed a music movie Beat Street to cope with the rise of hip hop culture. He made a gold medal with the same name as Arthur Baker. Belafonte then re-established an important movie with John Travolta in the campaign reversal drama "The Burden of Whites" (1995), and Robert Altman's Jazz Age Drama in the mid-1990s. In Kansas City (1996), the latter received the New York Film Critic Award Best Supporting Actor Award. He also served as the deputy judge of the US Supreme Court in Swing Vote (1999) of the TV series. He appeared as a pioneer of older civil rights in Spike Lee's BlacKk Klansman (2018).

Barker and missionaries were one of the first films supervised by African-Americans, based on a group of African-Americans fighting the majority of whites. Poitier oversaw films created by Belafonte Enterprises, Columbia Pictures Corporation and E & R Productions Corp. This film was filmed in Durango, Mexico and Kenya. It was released in the United States in 1972. Poitiers were not originally film directors. Joseph Sargent, known for his western director, left the project due to differences with some actors. Despite this being the first feature of his guidance, Poitiers also fulfills the role of director. Poitiers spent 45 days photographing the movie and edited and filmed the movie during shooting.