Brunelleschi's Chapel

Brunelleschi church in Florence in the 15th century, the Romans affect architecture as much as other times. The Pazzi chapel of Filippo Brunelleschi has revitalized the interest in Roman architecture. Like Masaccio's The Holy Trinity, Pazzi Chapel implements many classical building elements. Like the mural of Masaccio, the chapel was a highlight of the Renaissance. However, the chapel is embodied in Rome. This is why it is believed that Brunelleschi is an important example of the influence of Roman architecture in the Renaissance period, and the influence of Rome is at the entrance to the church dome, the Corinthian pillar, the pilaster and the point. it is clear.

Inspired by Brunelleschi, the Pazzi church clearly shows the influence of Rome to architecture during the Renaissance. The overall design of Pazzi Chapel was influenced by Brunelleschi's research on Roman architectural design, geometric engineering, and style elements such as arch, pillars and light. Filippo Brunelleschi got a lot of architectural symbols from his study in Rome. - Roman architecture This usually does not appear in the minds of people, but the architecture of Rome hides much of what is behind it. The Etruscans began living in Rome in 700 BC. They made art and many buildings there. At that time, the Romans did not have genuine art. They copied the art of Etruria, but I did not want to let him live in Rome. As a result, the Romans nearly wiped out all Etruscans from Rome.

Brunelleschi church in Florence in the 15th century, the Romans affect architecture as much as other times. The Pazzi chapel of Filippo Brunelleschi has revitalized the interest in Roman architecture. Like Masaccio's The Holy Trinity, Pazzi Chapel implements many classical building elements. Like the mural of Masaccio, the chapel was a highlight of the Renaissance. However, the chapel is embodied in Rome. Sandro Botticelli is a painter who painted at the age of five when he became a disciple of Florentine painter Fra Filippo Lippi. Sandro's heritage is in his paintings including figures from the Greek and Roman myths like Venus (the goddess of love).

Around 1429, another wealthy and influential family of Florence, Patzi, asked Brunelleschi to design a church near the Saints-Cross Abbey. The work may not have begun before 1442; the building was still incomplete in 1457. Brunelleschi calculated the flatness and height of the Pazzi church, using mathematical and geometric formulas, just as he did in San Lorenzo, but he was later in a more complex and complex way I adjusted the space of the building. The hemispherical dome covers the middle square and extends on both sides so that both sides form the center of the rectangle. A small empty space that opens from the third side of the main square is the corresponding square apartment that contains the altar covered by the dome. The creamy wall of the Patzi Chapel is marked with a dark gray stone geometric pattern