Brokeback Mountain and the Western Genre

It has long been proven that Western movies are more involved in conflicts and insults arising in stories. Western genres incorporate traditional Western motifs and icons and adhere to the general plot structure of this genre, but Brokeback Mountain does not seem like a traditional Western movie, so it's normal It is different from what is expected. Brokeback Mountain has several different twists and turns, just like more modern ones. Traditionally, Western movie characters ride horses, but Brokeback Mountain is a contemporary film. I am in a car

Many of the patterns and structures used in Brokeback Mountain follow Western genres, but the ultimate helplessness and emotional involvement is a melodramama type. The power of the melodrama that produces strong emotions is in contrast to the serious genre of the West, and in the West men's identity is more important than any romantic relationship. The film creates excessive emotional reactions and affection by drawing tears, separation, and loss, thereby eliminating all seriousness, reasons, and etiquette.

Brokeback Mountain uses several structures of the melodrama type. These include the use of music to produce sophisticated emotions, differences in opinion, and the timing of incidents that motivate tears. This is a dramatic form of Brokeback Mountain that expresses the history of injured, backward emotions, and emotions, and very effective in dealing with topics of confidentiality, passivity, delusions, shame and irreversible time You can think about practical melodrama practice.

In most movies the real West was in a particular historical moment between the Mexican Revolution of about 1836 and 1913 (Kitses, 1969). Brokeback Mountain was located between 1963 and 1983. According to the historical definition, this seems to be too late. However, this movie gives the impression of an American style environment representing the continuity of the Western lifestyle. Capitalism in the 20th century completely changed this Western life, but the ideology of the 20th century remained unchanged. Brokeback Mountain is not a distant past, but the myth of Western, the image of a lonely cowboy: denim clothing, lonely lifestyle, homemade restrictions on male freedom, homework with animals, denim culture and power, through country music To be depressed

Movies are thought to bring closer viewers to the social reality that they may not be used. My thesis analyzes ways to encourage men to cry the strangeness of the mountain and to promote it so as not to destroy by disturbing the nodules of the movie in distant places and times. These screening processes approach closer to bystanders, rather to the expression of strange desires and identities that do not threaten Hollywood movies and norms of American society. I suppose that the boy does not cry and does a strange show at Brokeback Mountain and offers a seemingly provocative and strange life in a homosexual environment while feeling tense during this provocation in a distant time and place think.