Bookreport on The Spy Who Came

A story about Spy's book was set during the Cold War, and it was about the British spy Leamas who had controlled spy activity at the West End (or "Region"). After losing the agent to another agent, Mundt, he lost "party" anti spyware, he returned to London, where he opposed Control (British spy network senior) against Monte's conspiracy. Their plan was to let Leamas "betray" London and let the other party sell information. He accused Mundt indirectly as being an agent of London.

In an early story such as 'Spy who came to the end' or 'Spy who came at night', the land faced a Russian agent such as Russian intelligence agency Taz. Rand accepts antispy activities such as reading Russian and Chinese information and capturing their spies, but he is confused when it is necessary to share the responsibility to assassinate enemy agents. He refused to accept all the traditional wisdom about spy activity and believed that there were decent people. Even though he has a close relationship with Taz, he suggests that even spy activities may transcend border and ideology.

"Spy from a cold" is a novel about the pain and anger of the Cold War spy, refusing to beautify and beautify their activities firmly, to take action to reveal the moral order Patriotism I dig a secret secret agent under the name of ideological ideology. People's anxiety influences their conspiracy and affects real people. It starts with the biggest tension scene of the Berlin Wall. The English agent Alecreemus, who is in charge of the East Germany 's spy network, is waiting at the checkpoint in West Berlin, expecting the last agent to escape. After the agent was shot down in his eyes before crossing the border, Leamas retreated to London with a painful disillusionment.

Director Martin Ritt's "The Spy from the Cold" is an application of John Re Carre's best-selling novel about a discreet British dual agent to Claire Bloom, a British idealist. Communists became secret operations spy enthusiasts, and Oscar Wonna was an interrogator of the East Germans. The black-and-white photograph of Oswaldo Morris and the narrow setting of Tambirsen and Harpereira poked a monotonous atmosphere of the Cold War. But without a popular foil, Martin Ritter's movie has no meaning. If the Ritter has restrictions as a director, he tends to use dramas to show his character as a masterpiece of moral and political value that you want to contrast against. For the movie about ambiguity, the behavior of Burton's character makes him or a person or a person freezing him during his mission.