Bodhisattva Avalokiteshvara of the Lion’s Roar

The wood carving of the Bodhisattva Kannon Bodhisattva situated on a lion has undergone many depictions when moving from India to China. One possible explanation may be that women are lacking in identity while the power of the opposition, the influence of men limits this. In the art of sculpture from the 14th century to the 15th century, the beauty of his high cheekbones and rounded face of the jaw, the beauty of the appearance supported by red and red shape the beauty of a typical Chinese lady's woman I will build my lips.

Bodhisattva is a wise man who continues to engage in world affairs to encourage and inspire all beings. Guanyin was originally known as Guanyin Bodhisattva in Indian Buddhism, but from a literal point of view, people who "sympathize with their heads" are images of Buddha as men in India and Tibet. In the Tibetan tradition, each Dalai Lama is thought to be the reincarnation of Guanyin Bodhisattva. However, in East Asia, this Bodhisattva was later called Kannon, understood as a goddess of a woman, a merciful mother. Buddhists turn their attention to Kannon as she possesses her ability to save them from unlimited sympathy and suffering and suffering.

Implementation of perfect caring, Guanyin Bodhisattva (Guanyin) Bodhisattva (great happiness anxious to help all sentient beings swear to help sentient beings of his / her bodhisattva) If you are disappointed in rescuing, his body may fall apart. "This seems extreme, but it symbolizes his overwhelming big sympathy and determination.

In the Goryeo Dynasty, very beautiful paintings were produced with Buddhist service; the paintings of the Bodhisattva Kwann Bosatsu (Kwanum Bosar) are known for their elegance and spirituality. A quietly expressed image, a flowing robe painted with ink, mineral color and gold, transparent scarf and belt evoke awe and admiration. In Koryo there are 24 Buddhist paintings including depiction of Kannon Bodhisattva, Bodhisattva Bodhisattva, Amitabha Nirai, Amitabha Nirai. One of the highlights is a hanging shaft with a height of 17 feet indicating Bodhisattva Kannon. It is said to be a memorial of Buddhist paintings in the Goryeo period, and this work was borrowed from the Japanese mirror shrine (through the Saga Prefectural Museum of Art), and it is a work he has never seen before in the United States. Because of its exquisite conditions, this picture can only be seen during the first 6 weeks of the exhibition.