Black Mirror

I am listening to self-regenerating podcasts, and we are looking at ourselves inside the black mirror. It links the idea of ​​the podcast to the idea, black mirror which is shared in the show. Podcast host Manoush Zomorodi interviewed Black Mirror creator Charlie Brooker and Annabel Jones. Brooke speaks about social media performance. We plan our role for public consumption, not knowing who we are, we know how we plan on ourselves. So, who is planning on their own? Brook continues to say that Twitter is actually the largest video game, you play a role based on your role, social media is really a role playing game.

Black Mirror is limited by the premise of that title frame. Each story relates to video, surveillance, video games, the Internet, and so on. This is a very limited topic base, but in fact, eps of the latest Black Mirror (4th season) is a redo of the previous black mirror episode (same basic premise, somewhat different format) think. This led to the following theory: production of black mirrors starts with a premise rather than a story. Why do they choose the stories that match the theme of their frame through the recent question of one of over a hundred science fiction magazines, approve them, and adapt to them? I think television and movie producers do not read books, most of them are watching TV and movies.