Nikki Giovanni's poem "Nikki-Rosa" conveys her beliefs through her childhood memories that white and black people have radically different views of wealth and happiness. In addition to her, she uses structures, tones and images to express her belief that white and blacks see their personal life experience in various ways. Black wealth is love, family and unity, not concrete goods. Community awareness and mutual acceptance is more valuable than having a private toilet.
And a strong love for the black community. She wrote in "Nikki-Rosa". "I truly hope that there is no reason for white people to write about me," she wrote her most famous poem at a black trial. Understanding the love of the black people is the richness of the black people and / they will talk about my difficult childhood / I do not understand / I was always very happy. That is her autobiography and nonfiction work. In "Gemini: My First 25 Extended Autobiographical Statements as a Black Poet" (1971), Giovanni detailed in detail about her personal and artistic development in her own poetry and prose. She further explores her private and public roles in two later papers, Sacred Cows ... and Other Food (1988) and Racial Discrimination 101 (1994). In 1969, Giovanni became the only mother of her only child, Thomas Watson Giovanni.
In the 1960 's, she became a black poet, and her rash during the civil rights movement made her very popular. In 1968, she announced the poem "Diary Rosa". In the poem "Nikkirosa", she used her childhood as the basis of this story. Nikkirosa communicates her faith through her childhood memories, believing that white and black people have fundamentally different views of wealth and happiness. Caucasians and blacks see their personal life experiences in various ways. wealth
Rosa, "The source of popular slang:" "Black love is the wealth of black people." 'Some of these verses condemned violent events of the 1960s with the assassination and homicide of the Vietnam War over the past decade. Some even celebrate "a beautiful black" or Giovanni's own journey from a happy girl sitting in the front door of the grandmother to a 25-year-old black woman poet until a dull poem to include her FBI's watch list. From the 1970's to the 1980's, Giovanni continued exploring these same themes, looked back on her mother's experience and a large trip to Europe and Africa. The poetry of My House (1972) and The Women and the Men (1975) is more lyrical and personal than the previous work. Many of these poems confirm the mutual relationship between self and the community and talk about the role of the poet in and outside the family. Giovanni explains his role as a dominant woman, she cooks what she wants to do and takes advantage of herself in her kitchen.