In Dostoevsky's "underground memo", people in the basement struggled between two opposing beliefs. The first time he acknowledged that his fictitious existence was determined in advance depends on his author's behavior. Underground people insist that the only possible world human beings can live in an uncertain world celebrating and positioning the free will of mankind. In an attempt to solve this problem, a man under the ground turned his attention to writing, tried to be honest with himself, explored why he did this and did not reject the facts that appeared.
Notes from the ground (Fyodor Mikhailovich Dostoevsky) 129 "Journal Epoch, memo from the basement", by Donstoevsky Konstantin Mochulsky: Flying over his life and work (1967) (Ken Kesey) "Raymond's" Grail Knight " Arrival beyond the wasteland M. Alderman (1972) Strange case of Jekyll and Haid (Robert Louis Stevenson) "Mask in the mirror: 18th century and 90s", "Separated Self: Perspective" Victorian literature (1969) 141
In Existentialism from Dostoevsky to Sartre, Walter Kaufman wrote as follows. "I do not think there is a reason to call Dostoevsky as an existentialist, but the underground memo tells us," I will not mention Dostoevsky's "underground note" in this article, but on the movement of the ensemble and the way it is released I will explore. Existential tone note - the subject of existence in Dostoyevsky's "Karamazov brothers". Mainly through Ivan Karamazov. I am primarily based on the French philosopher Jean-Paul Sartre, but pay attention first to the basic idea and spirit of the existentialist thinker Soren Kelkegaard. I made readers understand the origin of existentialism and did this to compare Sartre's atheistic existentialism with the theological existentialism of Kierkegaard.