Bill Evans's Effects on Modern Jazz

The term modern jazz usually refers to the age of music where musicians begin to approach harmony in various ways. Modern jazz tends to be overlooked, it is defined as jazz derived or mixed music, and it is influenced by various musicians, but there is Bill Evans. His exceptional voice has made him realize everyone, so he is one of the most influential musicians in the post-pop jazz world and is one of the most important jazz pianists. According to Bert Konowitz, "The sound of Bill Evans usually does not use chords at the lower left, there is no root of chords below, and chords are made up of sounds" (198).

Bill Evans continues to be one of the most iconic jazz pianists in the 20th century, influencing his companions and future jazz pianists. His recording consists of an early recording by Miles Davis, a few important triples, and a recording for two people with Tony Bennett. But this 1963 classic Interplay is a classic Evans recording - an all-star quintet with standard and Evans original. Freddie Hubbard, Philly Jo Jones, Percy Heath, Jim Hal, Bill Evans are okay.

Today's jazz theory is based on the unification of chords and scales of the concept of George Russell's Lydian Chromatic concept. This groundbreaking concept influenced the writing of Miles Davis and Bill Evans at the symbolic album "Kind of Blue" in 1959. (If you have never heard of George Russell's wonderful work, please investigate Manhattan, including John Coltrane, Bill Evans, John Hendricks, Art Farmer, and many other excellent people in 1959.) Blur the sound - Leadership. Recognizing that chords and scales are not truly unified, jazz education introduces 'avoid tone'. George Russell's theory is about uniformity - modal jazz has no "tone evasion". When chords change twice, mode analysis becomes very complicated (see the graph at the top of this article)

Post Pop Jazz is a small combination of jazz inspired by early pop style. Origin of this type is a revolutionary work of John Coltrane, Miles Davis, Bill Evans, Charles Mingus, Wayne Shorter and Herbie Hancock. In general, the term post pop refers to jazz since the mid-1960s, there is no need to immediately recognize the effects of hard rock, modal jazz, avant garde and free jazz. Blue Note Record has recorded lots of post bop. The main album searches for Shorter Speak No Evil, McCoy Tyner 's Real McCoy, Hancock Girls' Tour, Davis' s Myers smile, and Lee New (an artist not normally related to post pop type). Land Most post-pop artists also work on other types of works, a particularly strong duplication with early hard cymbals.