Bertolt Brecht, LeRoi Jones and Antonin Artaud

Bertolt Brecht, LeRoi Jones, Antonin Artaud LeRoi Jones's drama "Dutch" has many realistic, naturalistic and non-realistic elements. The show features clay, 20 year old black male, ruler, 30 year old white woman, white and black passengers on the subway coach, young blacks and conductors. All these characters ride and each character ends in a different destination. Viewers can categorize details and find their own conclusions. In this play, Jones uses genuine, natural and unrealistic elements to convey social problems like racial discrimination in the creator's own disillusioned style.

Some critics consider Tanztheater of Pina Bausch to be similar to the theater of Bertolt Brecht and Antonin Artaud. The main purpose of Brecht's magnificent theater is to cause changes in society as well as entertainment. In addition, his role is not a copy of everyday life, but as a representative of arguments, type conversion, prototypes. (Encyclopeadia Britannica, 1995, 1995) believes that the text is confusing the meaning to some extent, Artaud's "cruel theater" advertises its own words between gestures and thoughts.

However, due to modernism, the role of audience ventilation is weakening. Contrary to the norms of traditional theater, the two main characters who are seeking to actually make a revolution are Bertolt Brecht and Antonin alto. Tuirenn Hurstfield pointed out that the dramatic artists Bertolt Brecht and Antonin Artaud are disappointed with fantasy imitating the reality of traditional theaters. In retaliation, they insist on change. Aalto felt that the idea of ​​the theater disappeared and went to a cruel drama, and Brecht who was countering the drama at the time still moved to the non-Aristotle drama mode following Aristotle's catharsis. 10 His so-called new-style theater, magnificent theater. Brecht claims that audiences are no longer just observers but also actors.