Bel Canto Opera

The romantic era opera was a dramatic drama era. In the field of "beautiful song", singer is important and replacement is considered to be almost impossible, so the concept of singer in opera will change forever. Singer's voice is very precious, and Italian composers such as Rossini, Dnizetti and Bellini create opera, and show sound, color, range and flexibility. These Italian composers have removed the composer Rossini who created the stage for the ordinary composition style at the time and many other fans.

The Belcanto movement flourished in the early 19th century, examples of which include Rossini, Bellini, Donizetti, Pacini, Mercadante and many other operas. Literally means "famous song", the way of vocal singing comes from the Italian song school of the same name. The Bel canto collection is usually gorgeous and complex, requiring extreme flexibility and pitch control. The Belganto style famous opera includes Rossi's Il barbiere di Siviglia and La Cenerentola, and Donizetti's Lucia di Lammermoor.

In the early 19th century, Italian composers such as Rossini, Donizetti, Bellini produced a so-called Bell Kant's school opera and are providing their voice and expressiveness to famous singers. It is a wonderful opportunity to see the spectacular scenery. Opera, Agile, who led Giuseppe Verdi (1813-1901), is still popular today, romantic opera of Puccini including La Boheme. German opera began to flourish in the 19th century with Carl Maria von Weber and his opera actor Dare Freischutz (Freelancer), a popular episode based on German history and folklore, including elements of German fairytales It was. German opera world giant is Wagner, its complicated and long operators dominate this era and have great influence in the 20th century.

Since the days of Handel and Mozart many composers have supported the use of Italian as the language of the script of the opera. From the Bell Kant era to Verdi, the composer sometimes oversees their opera versions in Italian and French. For this reason, operas such as Lucia di Lammermoor and Don Carlos are considered typical in both French and Italian versions today. Until the mid 1950's, they were able to use translations to make operas, even though these operas were not approved by composers and original writers. For example, the Italian opera house often sings Wagner in Italian. After World War II, the opera scholarship has been improved, and the artists have once again focused on the original version, and the translation has gone out of support. Understanding European languages, especially Italian, French and German, has become an important part of professional singer training. "The greatest opera training is linguistics and musicology," explains mezzo-soprano Dolora Zajick.