Beauty in Death

Tavenna once said that his theme was "Holiness of art: art is Athanathos - death does not change, no beginning or end". "Sacred" here is the same as the concept shared by almost all religions. Ultimately unchanging reality, all creatures are born from this concept, and come home through their physical form of death. The role of physical death in spiritual life has always occupied a deep position of Tavina's consciousness since the first major religious experience of his later adolescent age. Nothing is found in this preconceived thought, which in turn is the entrance to this reality with respect to death, but it may be called across the religious tradition. All of these traditions are attempting to put life in the context of a wider journey of the soul When it is separated from the ship on the ground it is also separated from the fine branches of the world of phenomena, It is opened to a wide truth. Then it will start again, or will rise to join eternity enlightenment. Thus, death is not the end, but as it is determined by life, regardless whether it is good or bad or in a tradition like Christianity it is transfiguration. If a person "can die for themselves" - if it can abandon human care and design and become a tool for this higher level entity - the scope of this enlightenment is realized in secular existence maybe. . As Tavenna said, for both self and the world, death enables the soul to live "stronger" in the truth of existence.

Thoughtor 's gratitude for his own death was shaped and colored during his decades spiritual quest and many of his works have this common theme: Three St. Sonnets ( 1962) Text processing is crucified and challenges death itself; silence (2007) is inspired by the absolute reality of Hinduism by Brahmann 's creation by French metaphysics René Genon. (2007) is included in the statement, "Our glory is where we no longer exist"; and Ultimos Ritos (1972), Little Requiem for Father Maraklinch (1972), Akhmatova Requiem (1980), Ionia (1989), Athena (1997), and Death Ivan Ilyich (2012) are all different levels of clarity, subject contemplation.

In one of Shakespeare's most popular sonnets, the author's beauty and death theme is clear. In this verse, Shakespeare is increasingly evident as the definition of love and beauty. "The stormy wind of May really shakes the bud of the baby and the day of summer is too short ..." The reader will better understand that the writer is a conscientious feeling. A general experience of broken experience and human death and death; therefore, he wrote, "The raging wind truly shakes the baby in May ..."

But you are very beautiful to me, your weak root - you remind me of death and death is beautiful for you "(Is it beautiful except death and love?) I am not life I am here to sing my lover's song - "I am here to death, how tranquil, how solemn, how to promote a lover's atmosphere, to be indifferent to death or life Although not certain, the high soul of a lover likes death, certainly O death, I think the meaning of these leaves is exactly the same as you now.

Edgar Allan Poe's idea of ​​poetry is that all poetry must be beautiful creation. Depression and sorrow are beautiful in his eyes. He believes that the death of a young and beautiful woman is beautiful in itself. Compared to other poets and writers, the beauty of Po's beauty is unique. In "Annabelly" and "Raven", Poe wrote this so-called beauty. In 'Annabel Lee', a young man mourns the death of a beautiful young woman. Women died a long time ago, but men are still in a depressing state. He missed her very much and kept thinking about how she was taken away from him by his love and the angel of his family, and her family took her for the last rest I did not think that I could go. Ground it. He loves Annabel more than anyone.