Beau Rutland, ‘Skin So Soft’ Artforum Critic’s Pick, Artforum (June 2011)

2017, New York, New York, James Fuentes Gallery, The most beautiful sky and atmosphere, Allen and Eldridge

2015 Jane Corrigan, Meredith James, Gloria Maximo, Dasha Shishkin, Feuer / Mesler Gallery, New York, New York

Lying in the bedroom television and women's assistant in 2010, Yemen, MOMA PS 1 New York Contemporary Art Museum

2016 Pennsylvania State University, Stuckeman Landscape Architecture Landscape School, 2016

Platzker's program will end at the first mission statement in October. But this is not a total annoying story. For this purpose, see the early history of Artforum by Amy Newman, "Challenge Art: Artforum, 1962-1974". Newman 's book has skillfully compiled, written, and readily read the 30 people who worked in this magazine. Human interview - Mr. Benglis includes - and full of artistic critical projection energy. This exhibition can be published as an appendix to the book.

For 20 years in the 21st century, the important legacy of Gonzales - Torres' work has expanded and continued to challenge. In 2010, Artforum posted an article in the work of Gonzalez-Torres titled "Use disability" by artist and critic Joe Scanlan. Soft power and neoliberal economics have undergone deep research. In 2017, David Zwirner Gallery held a wide range of exhibitions on Gonzalez-Torres, but did not mention the role of AIDS in the formation of work concepts. Both in the exhibition and the press release, it caused a strong public protest.

On the eve of the November 1974 release, Artforum publisher Charles Cowles was in conflict. He did not want to show his publicity to his mother, but he did not want the art world to criticize him for censorship. As Coplans said to Amy Newman in her book "Challenge Art" (Artforum's Oral History) he refused to first print advertisements, the printer is "abolished bracket". Mr. Copland said to him, "This is a fundamental question of how American democracy works in this country." The advertisement was announced and the reaction was effective immediately. Editors of five art forums, Lawrence Perve, Max Kozlov, Rosalind Klaus, Joseph Marshke, Annette Michelson, announced their resignation in December. The reason is that this ad is "extremely vulgar" and is called "targeted aged ridicule" ... liberation of women. "