Auteur theory

Supervision theory, film production theory, supervision is regarded as the main creativity of the movie. The director's theory, born in France in the late 1940s - called by American film critic Andrew Sarris - is the product of André Bazin and Alexandre Astruc's film theory. As the cornerstone of the French cinema movement, it is called a new wave, a new wave, the director's theory is mainly in the journal of Bazan, Cahiersducinéma (founded in 1951). The two theorists - François Truffe and Jean - Luc Godard later became the main director of the French New Wave

The director's theory arises primarily from the interpretation of the concept of Astruc's caméra-stylo ("camera pen"), and the director responsible for overseeing all the audio and visual elements of the movie is " I think that it is often regarded as the author of ". In other words, rather than drawing a line, the information of the movie is transmitted by the basic visual elements such as the arrangement of the camera, the block, the lighting, and the length of the scene. Undeniable Personal Mark

Andrew Sarris created the word "auteur theory" to translate politicians' words and was admired for being advertised in American and English media. For the first time, he used a paper on the supervision theory of the 1962 film culture journal. He began applying his method to Hollywood movies and spread his thoughts in his book "American Film: Director and Direction" 1929-1968 (1968). The influence of Saris's work is that the main character of each movie and public attention pay less attention to the star and pay more attention to the whole product.

Supervision theory, film production theory, supervision is regarded as the main creativity of the movie. The director's theory, born in France in the late 1940s - called by American film critic Andrew Sarris - is the product of André Bazin and Alexandre Astruc's film theory. As the cornerstone of the French cinema movement, it is called a new wave, a new wave, the director's theory is mainly in the journal of Bazan, Cahiersducinéma (founded in 1951). The two theorists - François Truffe and Jean - Luc Godard later became the main director of the French New Wave

Literally means "writer" in French; the term used in film critic refers to French general critical theory introduced by Francois Truffaut during the late 1940s and early 1950s (originally a politician or It is known as writer policy). . Editor of the famous French film magazine Cahiersdu Cinéma (literally "legendary film critic, including theorist Andre Bazin") is definitely the most influential movie magazine in movie history and its thought Was expanded by American critic Andrew Sarris and other people in the 20s followed in the 1960s; the theory is not all participants but movie production and their personal vision, identifiable style, theme and technical responsibility Giving (actors, producers of producers, production designers, special effects) Supervisors control all aspects of film production extensively and give their films their own personal style, so the director (not a script writer The theory thinks that it should be regarded as a "real" author of a movie. Briefly, auteur can refer to a supervisor with an identifiable or signature style.