Auteur Criticism: A Film Maker's Approach to the Cinema

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Since the film director applied the term "director" to the film director in the 1950's, filmmakers and critics have discussed how to make a director and how accurately that term is applied to a particular director It was. Federico Fellini said in an interview in 1966, Akira Kurosawa said "Filmmakers should be the biggest role model of life" (Cardullo, 2006, p. 49). According to the sex movie era of Kurosawa and the meaning of the director

Autism was derived from French film criticism in the late 1940s, derived from Andre Bazan and Alexandre Astork's film critique - American supervisor's theory by Andrew Sarris - as a value system. This concept was invented to distinguish French New Wave movie producer and Studio system director as part of Hollywood movie production and it has been applied to pop music producers and video game creators as well. Even before the director's theory is clearly defined, the director is considered to be the most important filmmaker. Early German film theorist Walter Julius Bloom thought that this was art as a movie mass and that the public was accustomed to the final product as an artist (in this case the director) and those who contributed before It was. As a script writer.

Literally means "writer" in French; the term used in film critic refers to French general critical theory introduced by Francois Truffaut during the late 1940s and early 1950s (originally a politician or It is known as writer policy). . Editor of the famous French film magazine Cahiersdu Cinéma (literally "legendary film critic, including theorist Andre Bazin") is definitely the most influential movie magazine in movie history and its thought Was expanded by American critic Andrew Sarris and other people in the 20s followed in the 1960s; the theory is not all participants but movie production and their personal vision, identifiable style, theme and technical responsibility Giving (actors, producers of producers, production designers, special effects) Supervisors control all aspects of film production extensively and give their films their own personal style, so the director (not a script writer The theory thinks that it should be regarded as a "real" author of a movie. Briefly, auteur can refer to a supervisor with an identifiable or signature style.