Auter Theory: The Meaning of the Word Auteur in Movies

According to William Goldman, Goldman knows that there are many separate parts to make a movie together, so the concept of "oturu" is ridiculing and hurting writers and directors. Script writers like Goldman Sachs are very difficult to adjust scripts and stories so that they can convey the entire story with themes and symbols without losing the audience or delivering too much to the audience I have a job. Impact. Script writers like Goldman often require a concise and complicated collection of works while ensuring mobility and visual packaging.

Like the three directors and all the passers-bys, the influence on the movie can not be denied. When their film began, there was no doubt as to who led it from the beginning. Apertherism is a very important aspect in analyzing movies. When the director is a director, he not only has a movie that is easily recognized like him, he leaves his signs in the history of the movie.

Auter is defined as a French film director's term and incorporates personal style into his or her movies. The first work by Francois Truffaut was to explain the engraving on the movie director's movie. A director can be considered a director at that time, if he draws a style whose five movies are absolutely his own. If the director is a director, you can see his movies and pass styles and recurrences. The theme is to tell you that it was made by the director. In a director's movie, the director often has taken the audience to the theater, not the actor or the story. Normally, the famous director charges more advertisements than movie star actors. To further demonstrate the importance of the director's style in the movie, I will analyze the three directors and their films.

From French translation auteur simply means "author". The concept of this theory, its importance and effectiveness vary. Auteur's theory is essentially "How to evaluate a movie based on supervision participation and input". The concept of "Auteur" was originally introduced by François Truff in 1954 in the "certain tendency" of French movies. (1) In this work, he insisted that the movie is an important medium for expressing the director's personal opinion. He thinks that this means that the directors should be treated as directors.

Auteur theory, film production theory whose director is regarded as the main creative force in the movie. As the American film critic Andrew Sarris called, the director's theory that appeared in France in the late 1940s is the product of André Bazin and Alexandre Astruc's film theory. As the cornerstone of the French cinema movement, it was called the author's theory as New Wave, New Wave, and a director, and was proposed mainly in Bazin's journal Cahiersducinéma (founded in 1951). The two theorists - François Truffe and Jean - Luc Godard later became the main director of the French New Wave