Audens Poems on The Process of Mourning

The process of mourning varies from individual to individual, and the feelings felt during this period range from hatred to love. W. H. Oden's "Funeral Blues" represents the day when he lamented their loved ones and depicted people who experienced rejection and depressed feelings. On the other hand, Emily Dickinson's "Because I can not stop dying" means what happened when someone accepted death. These works have many similarities, such as poets, figures, tone and structure using metaphor.

In 1928, Oden's first book, "Poetry" was personally printed by Stephen Spender, a member of the Oden Oxford Group. Regarding style, these poems are fragmentary and short, relying on specific images and informal language to convey Oden's political and psychological problems. In the same year, T.S. Eliot accepted Oden's poem "Double Pay" and announced it to his magazine "Criterion." According to Elliot 's reminder, the play and some poeties collected in 1928 appeared in the revised edition of Oden' s 1930 poem. The next book "The Speaker: British Studies" (1932) describes in detail the repression and stagnation of the British life and institution using modernism and surrealism techniques, but most of the work is personal It is a signal. A mention to the jokes and his friends. Over the next few years Oden's articles on journals and collections gradually changed the style of his poetry.

Auden's Musee des Beaux Arts embodies the human race that the writer has shown in publications unrelated to the event. The most important and most noteworthy aspect of this poem is the application of hints to develop the direct and indirect meaning of poetry. The recitation of poetry is a concise and indirect expression obtained from the work of others or a historical record or a reference to a famous icon to describe a parallel relationship between the current situation and quoted information and individuals It is described as. Human relations (Wilfred 689) Oden uses the implications of both Christianity and Greek in museums for the development of poetry and the formation of satire in poetry