Artwork is Not Art Because of Theory

Whether it is a writer, a painter, a sculptor, a musician or a photographer, artists all over the world are going to show people the views, human beings, even the universe itself against their world. Throughout history, humans have demonstrated different perspectives and performance of their lives for their compatriots as well as for their lives after death. Creative impulses have emerged again and again in the form of art. Sometimes it comes from genius and complexity, full of meaning and symbolism. Other people, except that it is art, it has no simple and clear meaning.

Formalism is better than representative art theory. At first glance, it provides us a commonality of all art sharing. Formalism argues that this is a prerequisite for art. Here, the new formalism adds another requirement: content. Therefore, formalism gives us the necessary conditions and new formalism gives us two conditions. The meaning of the function is that the artist intends to mainly express his work in an important form. I need an intention for two reasons. 1) Otherwise, natural beauty can be counted as art. 2) If we do not succeed in giving an important form to our work simply by searching for an important form, we do not consider it an art, so we need an intention . This is a mistake, because an art without an important form should be counted as a bad art, not just art.

We still need a wider theory. Formalism argues that something is art if it has an important form (Carroll, 109). This theory is particularly attractive to contemporary art to value non-target and art. It contains art that represents something, but it has space for art that is meaningless or otherwise arranged. Art is just beautiful and must be evaluated like this. , 109), which seems to have forgotten important things, content

Probably the most confusing contemporary art diversity is so-called conceptual art, a work of art, where art should be an idea, not a thing. Recently, this art occupies most of the space of the museum and occupies a considerable part of this position. I will not try to define it, but here are some general features of conceptual art: I can not shoot down the whole art practice without giving a specific example. But here I have a problem: When I visit a contemporary gallery, I can understand most of the exhibits so much that I do not understand (a) I have nothing to say about them. . In my reaction to contemporary art, silence turmoil is normal