Arthur Schopenhauer’s “Will and Representation"

Arthur Schopenhauer's "Will and Performance" has many artistic features. Schopenhauer pays complicated and meticulous attention to the extensive influence of art on humans, which is indispensable to our daily lives. However, his view does not exist in vacuum. It is an integral part of the overall theory of his human nature and existence itself, so that it can be perfectly understood at least by some reference to other ideas. In this article I will explain the art philosophy of Schopenhauer, emphasizing the relevant aspect of his other related theory, such as the natural aesthetic value.

In 1865, Nietzsche thoroughly studied Arthur Schopen Howell's work. He brought the awakening of philosophical interested in reading the "global will and representation" of Schopenhauer, then Schopenhauer has admitted that it is one of the few thinkers that he was respected. I meditate on ancient times with him. In 1866 he read Friedrich Albert Lange 's "History of Materialism". Anti-materialism of the philosophy of Kant, Europe the rise of materialism, growing interest in Europe for science, Charles Darwin's theory of evolution, and the Lange description of the general rebellion of tradition and authority, increasing the interest in Nietzsche I stimulated it. Nietzsche is to discuss the final for the impossibility of evolutionary interpretation of human aesthetic consciousness, cultural environment is spread out his vision he is beyond the linguistics, to encourage it to continue his philosophical research .

The world of will and expression is the core work of Arthur Schopenhauer. Schopenhauer sees human intent as a window to the world behind our representatives; Kant himself. Therefore, he believes that it is possible to obtain the knowledge about us is things itself, and since Kant can be understood by the analogy between the relationship between the remaining is human will of the relationship between the representation and the things not Is possible. It is a human body. However, the two definitions presented in the 1920s show the range of opinions available. "The world is everything," Ludwig Wittgenstein wrote in his influential "logical philosophy" first published in 1921. Regardless of how individuals interpret them, the definition of this world will serve as a basis for logical positivism as a whole of facts.